Articles

401 results

Illusionistic Environments – Digital Spaces
Illusionistic Environments – Digital Spaces

Emmanouela Vogiatzaki – Krukowski and Manthos Santorineos

2011-01-01 Volume 10 • 2011 • 1

An Avatar’s Broken Memory
An Avatar’s Broken Memory

Olu Taiwo

2011-01-01 Volume 10 • 2011 • 1

Three Interactive Scenes of The Crystal Cabinet
Three Interactive Scenes of The Crystal Cabinet

Åsa Unander-Scharin

2011-01-01 Volume 10 • 2011 • 1

Between Body and Sound: listening to the digitized body
Between Body and Sound: listening to the digitized body

Stacey Sewell

2011-01-01 Volume 10 • 2011 • 1

The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples
The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples

Claudia Robles

2011-01-01 Volume 10 • 2011 • 1

Performing Sleep/Wake Cycles: An Arts-Science Dialogue through Embodied Technologies
Performing Sleep/Wake Cycles: An Arts-Science Dialogue through Embodied Technologies

Anne Niemetz, Carol Brown and Philippa Gander

2011-01-01 Volume 10 • 2011 • 1

Listening to the Replayed Touch: A Strata-aural Manifesto
Listening to the Replayed Touch: A Strata-aural Manifesto

Taina Riikonen and Antti Sakari Saario

2011-01-01 Volume 10 • 2011 • 1

e_motions in process
e_motions in process

Barbara Rauch

2011-01-01 Volume 10 • 2011 • 1

The D Factor at Manchester FabLab, FutureEverything Festival, 12- 15th May, 2010
The D Factor at Manchester FabLab, FutureEverything Festival, 12- 15th May, 2010

Jenny Steele

2010-07-01 Volume 9 • 2010 • 1

Critiquing “Whiteness:” Yasmina Reza’s Play Art at the East West Players
Critiquing “Whiteness:” Yasmina Reza’s Play Art at the East West Players

Julian Cha

2010-07-01 Volume 9 • 2010 • 1

Rationalizing Theatre in the Age of Technology: A Review of Paul Woodruff’s The Necessity of Theater: The Art of Watching and Being Watched
Rationalizing Theatre in the Age of Technology: A Review of Paul Woodruff’s The Necessity of Theater: The Art of Watching and Being Watched

Lourdes Arciniega

2010-07-01 Volume 9 • 2010 • 1

When We Meet Again (Introduced As Friends)
When We Meet Again (Introduced As Friends)

Me and The Machine

2010-07-01 Volume 9 • 2010 • 1

IMAGO DIXIT: Painting, sound & realtime gesture capture
IMAGO DIXIT: Painting, sound & realtime gesture capture

Orestis Karamanlis

2010-07-01 Volume 9 • 2010 • 1

Museumism- The Cul-De-Sac of Institutional Critique
Museumism- The Cul-De-Sac of Institutional Critique

André Black

2010-07-01 Volume 9 • 2010 • 1

Performing place, recalling space: a site-specific installation/ constellation in London
Performing place, recalling space: a site-specific installation/ constellation in London

Dr. Emily Orley

2010-07-01 Volume 9 • 2010 • 1

Body Imagery in the Avant-gardes of the Twentieth Century
Body Imagery in the Avant-gardes of the Twentieth Century

Nina Hein

2010-07-01 Volume 9 • 2010 • 1

Rich Video, Poor Video: Intermedial Greek Tragedy
Rich Video, Poor Video: Intermedial Greek Tragedy

Peter A. Campbell

2010-07-01 Volume 9 • 2010 • 1

Amorphous Bodies: The Uncanny in Performance
Amorphous Bodies: The Uncanny in Performance

Laura Bissell

2010-07-01 Volume 9 • 2010 • 1

Editorial
Editorial

Editorial Team

2010-07-01 Volume 9 • 2010 • 1

Editorial
Editorial

Editorial Team

2010-07-01 Volume 9 • 2010 • 2

Natio et Gens: Venice Biennale 2009
Natio et Gens: Venice Biennale 2009

Sue Broadhurst and Neil Harvey

2010-07-01 Volume 9 • 2010 • 2

The placement of sound in artistic contexts
The placement of sound in artistic contexts

Karen Lauke

2010-07-01 Volume 9 • 2010 • 2

The 53rd Venice Biennale – sex, death and mirror smashing
The 53rd Venice Biennale – sex, death and mirror smashing

Ken Young

2010-07-01 Volume 9 • 2010 • 2

(Syn)aesthetics: Redefining Visceral Performance by Josephine Machon
(Syn)aesthetics: Redefining Visceral Performance by Josephine Machon

Paul Woodward

2010-07-01 Volume 9 • 2010 • 2

Amplified Presence through Corporeality and Technological Prosthetics: A Review of Daniël Ploeger’s Play & Productivity, 2009
Amplified Presence through Corporeality and Technological Prosthetics: A Review of Daniël Ploeger’s Play & Productivity, 2009

Seda Ilter

2010-07-01 Volume 9 • 2010 • 2