Body, Space & Technology (BST) is a leading journal of contemporary artistic practice and research and joined the OLH platform in Summer 2017. Since it launched in 2000, BST has built a strong reputation for scholarly quality and innovation, as well as fostering a global academic community around its published content. BST publishes research into artistic practice that engages with digital technologies, particularly as these relate to bodily interaction and creativity, and in multi-disciplinary perspectives.
Posted by BST Journal on 2022-08-16
Body, Space & Technology, now in its twenty-second year of publication, is a leading online interdisciplinary journal, publishing on all aspects of contemporary arts practice.The EBSCO indexed journal publishes non-themed refereed articles, artist-led perspectives on their practice, together with a wide range of reviews of books, [...]
Research
Adjacent to the Live: paratextual augmentation of performance during the pandemic
Bernadette Cochrane and Frances Bonner
2022-02-14 Issue 1 • 2022 • Volume 21
Face to Facelessness: Imagined Intimacies and Socially Distant Desires
Steve Fossey
2022-02-14 Issue 1 • 2022 • Volume 21
DEEP FLOW: an embodied materiality of dance, technology, and bodily experience
Jeannette Ginslov
2022-02-14 Issue 1 • 2022 • Volume 21
I AM (VR) : Tenuous Self (虛我) and the Liminal Body in Virtual Reality
Yiou Penelope Peng
2022-02-14 Issue 1 • 2022 • Volume 21
Narratives of the future: immersive stories / indigenous roots
Elizabeth Swift
2022-02-14 Issue 1 • 2022 • Volume 21
Returning to the Body: Somatic Sensing in Multi-Person Virtual Reality Technology
Lisa May Thomas
2022-02-14 Issue 1 • 2022 • Volume 21
Affective Movement in Robotic Art: Alternatives to the ‘Interiority Paradigm’ in Social Robotics
Irene Alcubilla Troughton
2022-02-18 Issue 1 • 2022 • Volume 21
Perspectives
The Dello Scompiglio Project and Camera #3 (Chamber 3)
Sue Broadhurst
2022-02-14 Issue 1 • 2022 • Volume 21
‘The Camera Chooses the Star’: Trans-medial Ventriloquism in Punchdrunk’s The Drowned Man
Ilana Gilovich-Wave
2022-02-14 Issue 1 • 2022 • Volume 21
Virtual Dream Reality Check: A Case of Interactive Digital Theatre from the Royal Shakespeare Company
Gabrielle Lennox and Hannah Mason
2022-02-14 Issue 1 • 2022 • Volume 21
A Shift Towards Digital and Participatory Performance Practice Post-Pandemic
Bianca Mastrominico and Elizabeth de Roza
2022-02-14 Issue 1 • 2022 • Volume 21
Choreographic Encounters in XR: Reflections on Dancing in/Dancing with the Digital
Rebecca Weber and Joanna Cook
2022-02-14 Issue 1 • 2022 • Volume 21
Reviews
Venice Architecture Biennale 2021: The Mystery of the Disappearing Buildings
Neil Morris Harvey
2022-02-14 Issue 1 • 2022 • Volume 21
Performances
Shifting Perspectives: A cinematic dialogue about Synthetic Biology in a more-than-human world
Sarah Pini, Melissa Ramos and Jestin George
2022-02-14 Issue 1 • 2022 • Volume 21
The Virtual is Material: Music Improvisation in Post-Digital Ecologies
Paul Stapleton, John Bowers and Adam Pultz Melbye
2022-02-14 Issue 1 • 2022 • Volume 21