Body, Space & Technology

Body, Space & Technology (BST) is a leading journal of contemporary artistic practice and research and joined the OLH platform in Summer 2017. Since it launched in 2000, BST has built a strong reputation for scholarly quality and innovation, as well as fostering a global academic community around its published content. BST publishes research into artistic practice that engages with digital technologies, particularly as these relate to bodily interaction and creativity, and in multi-disciplinary perspectives.

Volume 21 • 2022 • Volume 21

Volume 21 • 2022 • Volume 21

Research

Adjacent to the Live: paratextual augmentation of performance during the pandemic

Face to Facelessness: Imagined Intimacies and Socially Distant Desires

DEEP FLOW: an embodied materiality of dance, technology, and bodily experience

Zoom: A case study

I AM (VR) : Tenuous Self (虛我) and the Liminal Body in Virtual Reality

Narratives of the future: immersive stories / indigenous roots

Embodying Ubuntu, through the Physical Journal as an antidote to the effects of the Anthropocene.

Returning to the Body: Somatic Sensing in Multi-Person Virtual Reality Technology

Affective Movement in Robotic Art: Alternatives to the ‘Interiority Paradigm’ in Social Robotics

Perspectives

The Dello Scompiglio Project and Camera #3 (Chamber 3)

‘The Camera Chooses the Star’: Trans-medial Ventriloquism in Punchdrunk’s The Drowned Man

Virtual Dream Reality Check: A Case of Interactive Digital Theatre from the Royal Shakespeare Company

A Shift Towards Digital and Participatory Performance Practice Post-Pandemic

Teaching Writing for Performance Online: Dynamic Approaches to the Online Workshop

Choreographic Encounters in XR: Reflections on Dancing in/Dancing with the Digital

Reviews

David Quayola: Digital Art Need Not Bore

Venice Architecture Biennale 2021: The Mystery of the Disappearing Buildings

Literature Review - Dani Ploeger, Deserted Devices and Wasted Fences: Everyday Technologies in Extreme Circumstances

Performances

Runnin' to Grace

Thread/Warp

As Uncanny As a Body

Shifting Perspectives: A cinematic dialogue about Synthetic Biology in a more-than-human world

The Virtual is Material: Music Improvisation in Post-Digital Ecologies