Articles

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  Research

  Hybridity and Experimental Aesthetics in the Performances of Anne Imhof

  Sue Broadhurst

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  05 Mar 2021

  20 : 1–13
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  Research

  Performing Gameplay – A Study of Video Game Performance Workshops

  Marleena Huuhka

  • PDF (EN)
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  05 Mar 2021

  20 : 14–24
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  Research

  Affectual Dramaturgy for Augmented Reality Immersive Heritage Performance

  Mariza Dima, Holly Maples

  • PDF (EN)
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  05 Mar 2021

  20 : 25–36
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  Research

  Metamorphosis of the Stage: Elsinore and The Ring by Robert Lepage

  Anna Maria Monteverdi

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  05 Mar 2021

  20 : 37–50
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  Research

  The Iconography of Digital Windows—Perspectives on the Pervasive Impact of the Zoom Digital Window on Embodied Creative Practice in 2020

  Jeremy Neideck, Shane Pike, Kathryn Kelly, Kat Henry

  • PDF (EN)
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  05 Mar 2021

  20 : 51–60
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  Research

  Production of Iranian Architectural Assets for Representation in Museums: Theme of Museum-Based Digital Twin

  Hossein Parsinejad, Insook Choi, Mohammad Yari

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  05 Mar 2021

  20 : 61–74
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  Research

  Disintegrated Bodies – From Cyborg Microcelebrities to Capital Flow: A Post-Phenomenological Investigation of Disembodiment

  Riad Salameh

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  05 Mar 2021

  20 : 75–82
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  Research

  The Birth of Gesture. ‘I’m not dancing alone’

  Claire Vionnet

  • PDF (EN)
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  05 Mar 2021

  20 : 83–96
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  Research

  Enhancing Artistic Practice through Integrating Strategies for Preservation into the Work

  Julie Watkins

  • PDF (EN)
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  05 Mar 2021

  20 : 97–105
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  Research

  Playfulness, Realism and Authenticity in Cultural Presence: A Case Study of Virtual Heritage Players

  Xinyang Zhao

  • PDF (EN)
  • XML (EN)

  05 Mar 2021

  20 : 106–115
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  Performances

  It’s Big Mouth!

  
  

  Sophie Swoffer

  • PDF (EN)
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  05 Mar 2021

  20 : 116–118
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  Papers

  Theatre Heterotopias: Sea on Stage

  
  

  Natalie Katsou

  • PDF (EN)
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  19 Feb 2020

  19 : 1–16
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  Reviews

  6th International Conference on Motion and Computing

  
  

  Kelly Rae Bowker

  • PDF (EN)
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  19 Feb 2020

  19 : 17–21
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  Research

  Per-forming the Sense of Touch: A Spatio-Temporal Embodied Technology of Resistance

  Maud Lannen

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  19 Feb 2020

  19 : 22–55
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  Papers

  Choreography of Sonic Chopsticks and Intervention of Digital Technology with Dancing Bodies

  Zhi Xu

  • PDF (EN)
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  19 Feb 2020

  19 : 56–75
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  Research

  Playing the Zombie: Participation and Interpassivity in Gothic XR

  Sarah O’Brien

  • PDF (EN)
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  19 Feb 2020

  19 : 76–96
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  Research

  Guidebook for Mirror Worlds. Poetics of Transparency in Augmented Reality

  Federico Biggio

  • PDF (EN)
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  19 Feb 2020

  19 : 97–108
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  Research

  Performance without Actors: The Theatrical Docu-Fiction

  Ester Fuoco

  • PDF (EN)
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  19 Feb 2020

  19 : 109–124
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  Papers

  The Encounter with the Real: What Can Complicite’s Theatre Performance The Encounter Teach Us about the Future of VR Narratives?

  Fahrudin Salihbegovic

  • PDF (EN)
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  19 Feb 2020

  19 : 125–152
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  Papers

  ‘The Biscuit Town’: Digital Practice, Spatiality and Discoverability in Reading’s Heritage Sector

  Teresa Murjas

  • PDF (EN)
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  19 Feb 2020

  19 : 153–173
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  Research

  Screened Live: Technologically Reconfiguring Notions of the Author

  Bernadette Cochrane

  • PDF (EN)
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  19 Feb 2020

  19 : 174–192
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  Research

  Subjugating Other Cultural Narratives in the Construction of Immersive Environments

  Olu Taiwo

  • PDF (EN)
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  19 Feb 2020

  19 : 193–202
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  Research

  A Santa with a Butt Plug: Paul McCarthy and the Obliterating Violence of Positivity

  Natasha Lushetich

  • PDF (EN)
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  19 Feb 2020

  19 : 203–223
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  Perspectives

  Playing with Virtual Realities: Navigating Immersion within Diverse Environments (Artist-Led Perspective)

  Einav Katan-Schmid

  • PDF (EN)
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  19 Feb 2020

  19 : 224–238
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  Reviews

  Interesting Times? Venice Biennale and Berlin Art Week 2019

  Neil Harvey

  • PDF (EN)
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  19 Feb 2020

  19 : 239–254