Articles

• 
  Editorial

  Editorial

  
  

  Susan Broadhurst,  Barry Edwards

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 :1-2
• 
  Papers

  Dune Dream – Self-imaging, Trans-corporeality and the Environment

  Annette Arlander

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 :3-21
• 
  Papers

  Visual Trends in Contemporary Visual Music Practice

  
  

  Emmanouil Kanellos

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 :22-33
• 
  Papers

  Climbing the Virtual Stepladder: Exploring the Reality of Virtual Worlds in Performance

  James Else

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 :34-50
• 
  Papers

  Composing Visual Music: Visual Music Practice at the Intersection of Technology, Audio-visual Rhythms and Human Traces

  Julie Watkins

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 :51-75
• 
  Papers

  Music for Brainwaves: Embodiment of Sound, Space and EEG Data

  Luca Forcucci

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 :76-94
• 
  Papers

  Hybridised Performance: Disruption and Deferment in Wagner’s Tristan and Isolde

  Susan Broadhurst

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 :95-117
• 
  Papers

  Nu Shu GPS: 25°21’00.5N, 111°27’17.7E—An Interdisciplinary Cooperation between Dance, Calligraphy, and the Body in Multimedia Performance

  Yun-Ju Chen,  Fiona Hui-Wen Cheng

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 :118-130
• 
  Performances

  Performances

  
  

  Bryce Hope,  Imogene Newland,  Angela Main,  Caroline Rumley,  Laurel Jay Carpenter,  Philippe Wozniak,  Lucie Sykes,  Michael Maurissens

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 :131-152
• 
  Reviews

  A Tale of Three Cities 2017: Art Basel, Venice Biennale, Frieze London

  Neil Harvey,  Susan Broadhurst

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 :153-176
• 
  Perspectives

  Perspectives

  
  

  Dani Ploeger,  Mary Anderson,  Richard Haley,  Billicia Charnelle Hines,  Misha Penton

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 :177-218
• 
  Editorial

  Editorial

  
  

  Editorial Team

  01 Jan 2017

  16
• 
  Papers

  Performing Landscape – Swinging Together or Playing with Projections

  Annette Arlander

  • PDF (EN)

  01 Jan 2017

  16
• 
  Papers

  SIGHT (UN)SPECIFIC: Performance as research predicated upon deploying acts of visual negation

  Lee Campbell,  Adrian Lee,  Carali Mccall

  • PDF (EN)

  01 Jan 2017

  16
• 
  Papers

  Love Letters – Wearing Stories Told: A performance-technology provocation for interactive storytelling

  Panayiota A. Demetriou,  Odysseas Pappas,  Stathis Kampylis

  • PDF (EN)

  01 Jan 2017

  16
• 
  Papers

  The Texas Sharpshooter Fallacy

  
  

  Clare Hammoor,  Evelyn Walker

  • PDF (EN)

  01 Jan 2017

  16
• 
  Papers

  Harnessing Quantitative Eye Tracking Data to Create Art: Interdisciplinary Collaboration and Data Visualization

  Christian Riegel,  Katherine M. Robinson,  Ashley Herman

  • PDF (EN)

  01 Jan 2017

  16
• 
  Papers

  Animate Shadows: Exploring synaesthesia and kinesthesia within digitised dance

  Rachel Sweeney

  • PDF (EN)

  01 Jan 2017

  16
• 
  Papers

  Urban Butoh: A performance philosophy in an age of digital acceleration

  Olu Taiwo

  • PDF (EN)

  01 Jan 2017

  16
• 
  Papers

  7 Cities in 7 Minutes: A feminine paradigm of sensory art

  Alda Terracciano

  • PDF (EN)

  01 Jan 2017

  16
• 
  Papers

  An Investigation into Composing Visual Music Today

  
  

  Julie Watkins

  • PDF (EN)

  01 Jan 2017

  16
• 
  Papers

  Synaesthetic Resonances in the Intermedial Soundtrack of Imitating the Dog’s Tales from The Bar of Lost Souls

  Piotr Woycicki

  • PDF (EN)

  01 Jan 2017

  16
• 
  Perspectives

  Our Machines

  
  

  Vesna Petresin

  • PDF (EN)

  01 Jan 2017

  16
• 
  Reviews

  Perception of Moral Values in Yoruba Home Video Film: An analysis of Ayitale

  01 Jan 2016

  15
• 
  Editorial

  Editorial

  
  

  01 Jan 2016

  15