Articles

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  Research

  Virtual Reality and Choreographic Practice: The Potential for New Creative Methods

  Rosemary E.   Cisneros ,  Karen   Wood ,  Sarah   Whatley ,  Michele   Buccoli ,  Massimiliano   Zanoni ,  Augusto   Sarti

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  12 Mar 2019

  18 : 1–32
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  Research

  Forming a Sonic Identity through the Integration of Transculturality and Technology

  Nathan Riki   Thomson ,  Otso   Lähdeoja

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  12 Mar 2019

  18 : 33–60
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  Research

  The Theatre of the Selfie: Fictive Practices of the Instagram Artist

  Sara   Sylvester

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  12 Mar 2019

  18 : 61–107
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  Research

  Performing the Electrical: Ecologies of the Imaginary and Fem-technologies

  Geneva   Foster Gluck

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  12 Mar 2019

  18 : 108–125
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  Research

  Deprivation Strategies: Increasing Public Understanding of Vision Impairment Using Performative Pedagogy

  Lee   Campbell

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  12 Mar 2019

  18 : 126–144
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  Papers

  Social Justice and Artificial Intelligence by Dr. Adnan Hadzi (University of Malta)

  Adnan   Hadzi

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  12 Mar 2019

  18 : 145–174
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  Research

  Visceral Dramaturgies: Curating Sensation in Immersive Art

  Rosemary   Klich

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  12 Mar 2019

  18 : 175–197
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  Papers

  Diversity and Inclusivity in the Age of Wearables: A Buzzword, a Myth, an Uncertain Reality

  Anastasios   Maragiannis ,  Rain   Ashford

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  12 Mar 2019

  18 : 198–214
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  Research

  Bites of Passage: Thresholds, Permeability and Hand-Fed Food for Thought

  Steve   Fossey

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  • XML (EN)

  12 Mar 2019

  18 : 215–234
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  Research

  Tide Times: Responding to Cramond

  
  

  Laura   Bissell ,  Timothy   Cooper

  • PDF (EN)
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  12 Mar 2019

  18 : 235–266
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  Research

  Soi Moi: The Techno-Soma-Aesthetics of a Dance for the iPhone

  Paula   Varanda

  • PDF (EN)
  • XML (EN)

  12 Mar 2019

  18 : 267-296
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  Perspectives

  Perspectives 2019

  
  

  Dani   Ploeger ,  Catherine   Seago ,  Lizzie   Sykes

  • PDF (EN)
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  12 Mar 2019

  18 : 297-320
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  Reviews

  The Point of Connection: Accessing Affective Memories through Sonic and Embodied Technologies in Shannon Yee’s Reassembled, Slightly Askew

  Natalia   Esling

  • PDF (EN)
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  12 Mar 2019

  18 : 321-330
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  Editorial

  Editorial

  
  

  Susan   Broadhurst ,  Barry   Edwards

  • PDF (EN)
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  04 Apr 2018

  17 : 1-2
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  Papers

  Dune Dream – Self-imaging, Trans-corporeality and the Environment

  Annette   Arlander

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  04 Apr 2018

  17 : 3-21
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  Papers

  Visual Trends in Contemporary Visual Music Practice

  
  

  Emmanouil   Kanellos

  • PDF (EN)
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  04 Apr 2018

  17 : 22-33
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  Papers

  Climbing the Virtual Stepladder: Exploring the Reality of Virtual Worlds in Performance

  James   Else

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  04 Apr 2018

  17 : 34-50
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  Papers

  Composing Visual Music: Visual Music Practice at the Intersection of Technology, Audio-visual Rhythms and Human Traces

  Julie   Watkins

  • PDF (EN)
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  04 Apr 2018

  17 : 51-75
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  Papers

  Music for Brainwaves: Embodiment of Sound, Space and EEG Data

  Luca   Forcucci

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  04 Apr 2018

  17 : 76-94
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  Papers

  Hybridised Performance: Disruption and Deferment in Wagner’s Tristan and Isolde

  Susan   Broadhurst

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  04 Apr 2018

  17 : 95-117
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  Papers

  Nu Shu GPS: 25°21’00.5N, 111°27’17.7E—An Interdisciplinary Cooperation between Dance, Calligraphy, and the Body in Multimedia Performance

  Yun-Ju   Chen ,  Fiona Hui-Wen   Cheng

  • PDF (EN)
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  04 Apr 2018

  17 : 118-130
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  Performances

  Performances

  
  

  Bryce   Hope ,  Imogene   Newland ,  Angela   Main ,  Caroline   Rumley ,  Laurel Jay   Carpenter ,  Philippe   Wozniak ,  Lucie   Sykes ,  Michael   Maurissens

  • PDF (EN)
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  04 Apr 2018

  17 : 131-152
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  Reviews

  A Tale of Three Cities 2017: Art Basel, Venice Biennale, Frieze London

  Neil   Harvey ,  Susan   Broadhurst

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  04 Apr 2018

  17 : 153-176
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  Perspectives

  Perspectives

  
  

  Dani   Ploeger ,  Mary   Anderson ,  Richard   Haley ,  Billicia Charnelle   Hines ,  Misha   Penton

  • PDF (EN)
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  04 Apr 2018

  17 : 177-218
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  Editorial

  Editorial

  
  

  01 Jan 2017

  16