Articles

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  Papers

  Theatre Heterotopias: Sea on Stage

  
  

  Natalie Katsou

  • PDF (EN)
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  19 Feb 2020

  19 : 1–16
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  Reviews

  6th International Conference on Motion and Computing

  
  

  Kelly Rae Bowker

  • PDF (EN)
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  19 Feb 2020

  19 : 17–21
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  Research

  Per-forming the Sense of Touch: A Spatio-Temporal Embodied Technology of Resistance

  Maud Lannen

  • PDF (EN)
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  19 Feb 2020

  19 : 22–55
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  Papers

  Choreography of Sonic Chopsticks and Intervention of Digital Technology with Dancing Bodies

  Zhi Xu

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  19 Feb 2020

  19 : 56–75
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  Research

  Playing the Zombie: Participation and Interpassivity in Gothic XR

  Sarah O’Brien

  • PDF (EN)
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  19 Feb 2020

  19 : 76–96
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  Research

  Guidebook for Mirror Worlds. Poetics of Transparency in Augmented Reality

  Federico Biggio

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  19 Feb 2020

  19 : 97–108
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  Research

  Performance without Actors: The Theatrical Docu-Fiction

  Ester Fuoco

  • PDF (EN)
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  19 Feb 2020

  19 : 109–124
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  Papers

  The Encounter with the Real: What Can Complicite’s Theatre Performance The Encounter Teach Us about the Future of VR Narratives?

  Fahrudin Salihbegovic

  • PDF (EN)
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  19 Feb 2020

  19 : 125–152
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  Papers

  ‘The Biscuit Town’: Digital Practice, Spatiality and Discoverability in Reading’s Heritage Sector

  Teresa Murjas

  • PDF (EN)
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  19 Feb 2020

  19 : 153–173
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  Research

  Screened Live: Technologically Reconfiguring Notions of the Author

  Bernadette Cochrane

  • PDF (EN)
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  19 Feb 2020

  19 : 174–192
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  Research

  Subjugating Other Cultural Narratives in the Construction of Immersive Environments

  Olu Taiwo

  • PDF (EN)
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  19 Feb 2020

  19 : 193–202
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  Research

  A Santa with a Butt Plug: Paul McCarthy and the Obliterating Violence of Positivity

  Natasha Lushetich

  • PDF (EN)
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  19 Feb 2020

  19 : 203–223
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  Perspectives

  Playing with Virtual Realities: Navigating Immersion within Diverse Environments (Artist-Led Perspective)

  Einav Katan-Schmid

  • PDF (EN)
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  19 Feb 2020

  19 : 224–238
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  Reviews

  Interesting Times? Venice Biennale and Berlin Art Week 2019

  Neil Harvey

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  19 Feb 2020

  19 : 239–254
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  Research

  Virtual Reality and Choreographic Practice: The Potential for New Creative Methods

  Rosemary E. Cisneros, Karen Wood, Sarah Whatley, Michele Buccoli, Massimiliano Zanoni, Augusto Sarti

  • PDF (EN)
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  12 Mar 2019

  18 : 1–32
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  Research

  Forming a Sonic Identity through the Integration of Transculturality and Technology

  Nathan Riki Thomson, Otso Lähdeoja

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  12 Mar 2019

  18 : 33–60
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  Research

  The Theatre of the Selfie: Fictive Practices of the Instagram Artist

  Sara Sylvester

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  12 Mar 2019

  18 : 61–107
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  Research

  Performing the Electrical: Ecologies of the Imaginary and Fem-technologies

  Geneva Foster Gluck

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  12 Mar 2019

  18 : 108–125
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  Research

  Deprivation Strategies: Increasing Public Understanding of Vision Impairment Using Performative Pedagogy

  Lee Campbell

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  12 Mar 2019

  18 : 126–144
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  Papers

  Social Justice and Artificial Intelligence by Dr. Adnan Hadzi (University of Malta)

  Adnan Hadzi

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  12 Mar 2019

  18 : 145–174
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  Research

  Visceral Dramaturgies: Curating Sensation in Immersive Art

  Rosemary Klich

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  12 Mar 2019

  18 : 175–197
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  Papers

  Diversity and Inclusivity in the Age of Wearables: A Buzzword, a Myth, an Uncertain Reality

  Anastasios Maragiannis, Rain Ashford

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  12 Mar 2019

  18 : 198–214
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  Research

  Bites of Passage: Thresholds, Permeability and Hand-Fed Food for Thought

  Steve Fossey

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  12 Mar 2019

  18 : 215–234
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  Research

  Tide Times: Responding to Cramond

  
  

  Laura Bissell, Timothy Cooper

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  12 Mar 2019

  18 : 235–266
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  Research

  Soi Moi: The Techno-Soma-Aesthetics of a Dance for the iPhone

  Paula Varanda

  • PDF (EN)
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  12 Mar 2019

  18 : 267-296