Volume 21 • 2022 • Volume 21 hero image.
Volume 21 • 2022 • Volume 21

Research

Adjacent to the Live: paratextual augmentation of performance during the pandemic

Bernadette Cochrane and Frances Bonner

2022-02-14 Volume 21 • 2022 • Volume 21

Face to Facelessness: Imagined Intimacies and Socially Distant Desires

Steve Fossey

2022-02-14 Volume 21 • 2022 • Volume 21

DEEP FLOW: an embodied materiality of dance, technology, and bodily experience

Jeannette Ginslov

2022-02-14 Volume 21 • 2022 • Volume 21

Zoom: A case study

Tyrone Grima

2022-02-14 Volume 21 • 2022 • Volume 21

I AM (VR) : Tenuous Self (虛我) and the Liminal Body in Virtual Reality

Yiou Penelope Peng

2022-02-14 Volume 21 • 2022 • Volume 21

Narratives of the future: immersive stories / indigenous roots

Elizabeth Swift

2022-02-14 Volume 21 • 2022 • Volume 21

Embodying Ubuntu, through the Physical Journal as an antidote to the effects of the Anthropocene.

Olu Taiwo

2022-02-14 Volume 21 • 2022 • Volume 21

Returning to the Body: Somatic Sensing in Multi-Person Virtual Reality Technology

Lisa May Thomas

2022-02-14 Volume 21 • 2022 • Volume 21

Affective Movement in Robotic Art: Alternatives to the ‘Interiority Paradigm’ in Social Robotics

Irene Alcubilla Troughton

2022-02-18 Volume 21 • 2022 • Volume 21

Perspectives

The Dello Scompiglio Project and Camera #3 (Chamber 3)

Sue Broadhurst

2022-02-14 Volume 21 • 2022 • Volume 21

‘The Camera Chooses the Star’: Trans-medial Ventriloquism in Punchdrunk’s The Drowned Man

Ilana Gilovich-Wave

2022-02-14 Volume 21 • 2022 • Volume 21

Virtual Dream Reality Check: A Case of Interactive Digital Theatre from the Royal Shakespeare Company

Gabrielle Lennox and Hannah Mason

2022-02-14 Volume 21 • 2022 • Volume 21

A Shift Towards Digital and Participatory Performance Practice Post-Pandemic

Bianca Mastrominico and Elizabeth de Roza

2022-02-14 Volume 21 • 2022 • Volume 21

Teaching Writing for Performance Online: Dynamic Approaches to the Online Workshop

Karen Morash

2022-02-14 Volume 21 • 2022 • Volume 21

Choreographic Encounters in XR: Reflections on Dancing in/Dancing with the Digital

Rebecca Weber and Joanna Cook

2022-02-14 Volume 21 • 2022 • Volume 21

Performances

Runnin' to Grace

Rashida K. Braggs

2022-02-14 Volume 21 • 2022 • Volume 21

Thread/Warp

Jenny Logico Cruz and Blonski Campos Cruz

2022-02-22 Volume 21 • 2022 • Volume 21

As Uncanny As a Body

Irini Kalaitzidi

2022-02-14 Volume 21 • 2022 • Volume 21

Shifting Perspectives: A cinematic dialogue about Synthetic Biology in a more-than-human world

Sarah Pini, Melissa Ramos and Jestin George

2022-02-14 Volume 21 • 2022 • Volume 21

The Virtual is Material: Music Improvisation in Post-Digital Ecologies

Paul Stapleton, John Bowers and Adam Pultz Melbye

2022-02-14 Volume 21 • 2022 • Volume 21

Reviews

David Quayola: Digital Art Need Not Bore

Neil Morris Harvey

2022-02-14 Volume 21 • 2022 • Volume 21

Venice Architecture Biennale 2021: The Mystery of the Disappearing Buildings

Neil Morris Harvey

2022-02-14 Volume 21 • 2022 • Volume 21

Literature Review - Dani Ploeger, Deserted Devices and Wasted Fences: Everyday Technologies in Extreme Circumstances

Benjamin Hunt

2022-02-14 Volume 21 • 2022 • Volume 21

  • 1 

Issue Archive