Volume 2 • 2001 • Volume 2


Editorial

Editorial
Editorial

Editorial Team

2001-07-01 Volume 2 • 2001 • Volume 2

Papers

Suite Fantastique: Architecure and the Digital
Suite Fantastique: Architecure and the Digital

Johannes Birringer

2001-07-01 Volume 2 • 2001 • Volume 2

Artistic Collaboration in an Interactive Dance and Music Performance Environment: Seine hohle Form, a project report
Artistic Collaboration in an Interactive Dance and Music Performance Environment: Seine hohle Form, a project report

Robert Weschler, Frieder Weiss and Joseph Butch Rovan

2001-07-01 Volume 2 • 2001 • Volume 2

Reconciling Binary Oppositions
Reconciling Binary Oppositions

Anthony Padgett

2001-07-01 Volume 2 • 2001 • Volume 2

Come in and Make Yourself at Home: Colonization and the Body/Technology Interface
Come in and Make Yourself at Home: Colonization and the Body/Technology Interface

Kent De Spain

2001-07-01 Volume 2 • 2001 • Volume 2

Beaches and Bodies
Beaches and Bodies

Jen Webb

2001-07-01 Volume 2 • 2001 • Volume 2

Reviews

CO3 Company in Space – Hellen Sky and John McCormick Capital Theatre, September, 2001
CO3 Company in Space – Hellen Sky and John McCormick Capital Theatre, September, 2001

Julie Clarke

2001-07-01 Volume 2 • 2001 • Volume 2

Observer/Observed and other works of Video Semiology
Observer/Observed and other works of Video Semiology

Takahiko Iimura

2001-07-01 Volume 2 • 2001 • Volume 2

A Review about Scratching the Inner Fields Ultima Vez – Wim Vandekeybus
A Review about Scratching the Inner Fields Ultima Vez – Wim Vandekeybus

Maria Softsi

2001-07-01 Volume 2 • 2001 • Volume 2

‘INFORMANCE’ made in ‘TRANSDANCE’ LAB by Maria Softsi, executive producer of the ‘Transdance’ lab
‘INFORMANCE’ made in ‘TRANSDANCE’ LAB by Maria Softsi, executive producer of the ‘Transdance’ lab

Maria Softsi

2001-06-01 Volume 2 • 2001 • Volume 2

  • 1 

Issue Archive