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Volume 11 • 2011 • Volume 11


Editorial

Editorial
Editorial

Editorial Team

2011-01-01 Volume 11 • 2011 • Volume 11

Papers

Visual Recorders
Visual Recorders

Lee Campbell

2012-01-01 Volume 11 • 2011 • Volume 11

I am Sitting in a Room
I am Sitting in a Room

Stina Hasse

2012-01-01 Volume 11 • 2011 • Volume 11

Embodiment, Transparency and the Disclosiveness of Failure
Embodiment, Transparency and the Disclosiveness of Failure

Shaun May

2012-01-01 Volume 11 • 2011 • Volume 11

Artist-centric Inquiry
Artist-centric Inquiry

John Mead

2012-01-01 Volume 11 • 2011 • Volume 11

'Blood Piano': Music, Femininity and the Abject – A Practice-Led Enquiry
'Blood Piano': Music, Femininity and the Abject – A Practice-Led Enquiry

Imogene Newland

2012-01-01 Volume 11 • 2011 • Volume 11

Perspectives

Dispersed and Dislocated: The construction of liveness in live intermedial performance
Dispersed and Dislocated: The construction of liveness in live intermedial performance

Jo Scott

2012-01-01 Volume 11 • 2011 • Volume 11

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Issue Archive

    Volume 21 • 2022 • Volume 21 Volume 20 • 2021 • Volume 20 Volume 19 • 2020 • Volume 19 Volume 18 • 2019 • Volume 18 Volume 17 • 2018 • Volume 17 Volume 16 • 2017 • Volume 16 Volume 15 • 2016 • Volume 15 Volume 14 • 2015 • Volume 14 Volume 13 • 2014 • Volume 13 Volume 12 • 2013 • Volume 12 Volume 11 • 2011 • Volume 11 Volume 10 • 2011 • Volume 10 Volume 10 • 2011 • Volume 10 Volume 9 • 2010 • Volume 9 Volume 9 • 2010 • Volume 9 Volume 8 • 2009 • Volume 8 Volume 7 • 2008 • Volume 7 Volume 7 • 2007 • Volume 7 Volume 6 • 2007 • Volume 6 Volume 6 • 2006 • Volume 6 Volume 5 • 2005 • Volume 5 Volume 4 • 2004 • Volume 4 Volume 3 • 2003 • Volume 3 Volume 3 • 2002 • Volume 3 Volume 2 • 2002 • Volume 2 Volume 2 • 2001 • Volume 2 Volume 1 • 2001 • Volume 1 Volume 1 • 2000 • Volume 1

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