Articles

401 results

A Queer and Pleasant Danger: A memoir by Kate Bornstein
A Queer and Pleasant Danger: A memoir by Kate Bornstein

Lisa Newman

2013-01-01 Volume 12 • 2013

Editorial
Editorial

Editorial Team

2013-01-01 Volume 12 • 2013

Visual Recorders
Visual Recorders

Lee Campbell

2012-01-01 Volume 11 • 2012

I am Sitting in a Room
I am Sitting in a Room

Stina Hasse

2012-01-01 Volume 11 • 2012

Embodiment, Transparency and the Disclosiveness of Failure
Embodiment, Transparency and the Disclosiveness of Failure

Shaun May

2012-01-01 Volume 11 • 2012

Artist-centric Inquiry
Artist-centric Inquiry

John Mead

2012-01-01 Volume 11 • 2012

'Blood Piano': Music, Femininity and the Abject – A Practice-Led Enquiry
'Blood Piano': Music, Femininity and the Abject – A Practice-Led Enquiry

Imogene Newland

2012-01-01 Volume 11 • 2012

Dispersed and Dislocated: The construction of liveness in live intermedial performance
Dispersed and Dislocated: The construction of liveness in live intermedial performance

Jo Scott

2012-01-01 Volume 11 • 2012

Editorial
Editorial

Editorial Team

2011-07-01 Volume 10 • 2011 • 2

The Song Remains … The Same? Three Case Studies of Issues of Digital Preservation in Second Life Performance Practices
The Song Remains … The Same? Three Case Studies of Issues of Digital Preservation in Second Life Performance Practices

Dennis Moser

2011-07-01 Volume 10 • 2011 • 1

Solitary Place: Scenodynamic Architecture and The Avant Garde
Solitary Place: Scenodynamic Architecture and The Avant Garde

Sozita Goudouna

2011-07-01 Volume 10 • 2011 • 2

‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice
‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice

Stan Wijnans

2011-07-01 Volume 10 • 2011 • 2

A report on the AHRC Screendance Network and Screendance Symposium University of Brighton, 4th Feb 2011
A report on the AHRC Screendance Network and Screendance Symposium University of Brighton, 4th Feb 2011

Claudia Kappenberg

2011-07-01 Volume 10 • 2011 • 2

Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation
Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation

Andrea Davidson

2011-07-01 Volume 10 • 2011 • 1

‘Seeding a Lead’: Exploring the Live Theatre Industry’s Reception of a Pre-Market Canadian Display Technology
‘Seeding a Lead’: Exploring the Live Theatre Industry’s Reception of a Pre-Market Canadian Display Technology

Gerd Hauck, Jill Tomasson Goodwin, David Goodwin, Paul Guild and Doug Sparkes

2011-06-01 Volume 10 • 2011 • 2

Binary Coded Performance
Binary Coded Performance

Nicolas Salazar-Sutil

2011-06-01 Volume 10 • 2011 • 2

Virtual infants in Zoo Indigo’s Under the Covers
Virtual infants in Zoo Indigo’s Under the Covers

Rosie Garton and Ildiko Rippel

2011-01-01 Volume 10 • 2011 • 1

Algorithms for Social Curation: Designing and evaluating an embodied and subjectively situated visual art Interpretation and navigation system (VAINS)
Algorithms for Social Curation: Designing and evaluating an embodied and subjectively situated visual art Interpretation and navigation system (VAINS)

Eleanor Dare and Lee Weinberg

2011-01-01 Volume 10 • 2011 • 1

Editorial
Editorial

Editorial Team

2011-01-01 Volume 10 • 2011 • 1

Sensing Shared Places: Designing a mobile audio streaming environment
Sensing Shared Places: Designing a mobile audio streaming environment

Rui Chaves and Pedro Rebelo

2011-01-01 Volume 10 • 2011 • 1

Embodied Landscape: the place of geography in the actor’s creation of character
Embodied Landscape: the place of geography in the actor’s creation of character

Nicholas Hope

2011-01-01 Volume 10 • 2011 • 2

White Body: animating feminine pleasure
White Body: animating feminine pleasure

Kayla Parker

2011-01-01 Volume 10 • 2011 • 2

Editorial
Editorial

Editorial Team

2011-01-01 Volume 11 • 2012

Sensual Technologies: Embodied experience and visualisation of scientific data
Sensual Technologies: Embodied experience and visualisation of scientific data

Michael Hohl

2011-01-01 Volume 10 • 2011 • 1

Digital Parts / Modular Doubles: fragmenting the ‘digital double’
Digital Parts / Modular Doubles: fragmenting the ‘digital double’

Daniël Ploeger

2011-01-01 Volume 10 • 2011 • 1