Articles

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  Papers

  Performing Landscape – Swinging Together or Playing with Projections

  Annette   Arlander

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  SIGHT (UN)SPECIFIC: Performance as research predicated upon deploying acts of visual negation

  Lee   Campbell ,  Adrian   Lee ,  Carali   Mccall

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  Love Letters – Wearing Stories Told: A performance-technology provocation for interactive storytelling

  Panayiota A.   Demetriou ,  Odysseas   Pappas ,  Stathis   Kampylis

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  The Texas Sharpshooter Fallacy

  
  

  Clare   Hammoor ,  Evelyn   Walker

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  Harnessing Quantitative Eye Tracking Data to Create Art: Interdisciplinary Collaboration and Data Visualization

  Christian   Riegel ,  Katherine M.   Robinson ,  Ashley   Herman

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  Animate Shadows: Exploring synaesthesia and kinesthesia within digitised dance

  Rachel   Sweeney

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  Urban Butoh: A performance philosophy in an age of digital acceleration

  Olu   Taiwo

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  7 Cities in 7 Minutes: A feminine paradigm of sensory art

  Alda   Terracciano

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  An Investigation into Composing Visual Music Today

  
  

  Julie   Watkins

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  Synaesthetic Resonances in the Intermedial Soundtrack of Imitating the Dog’s Tales from The Bar of Lost Souls

  01 Jan 2017

  16
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  Perspectives

  Our Machines

  
  

  Vesna   Petresin

  • PDF (EN)

  01 Jan 2017

  16
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  Reviews

  Perception of Moral Values in Yoruba Home Video Film: An analysis of Ayitale

  Nasir Taofiq   Olaide

  • PDF (EN)

  01 Jan 2016

  15
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  Editorial

  Editorial

  
  

  Editorial   Team

  01 Jan 2016

  15
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  Papers

  Monsters and Machines: The avatar performance as the carnivalesque of the digital age

  Aikaterini   Antonopoulou

  • PDF (EN)

  01 Jan 2016

  15
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  Papers

  Body as Play

  
  

  Licia   Calvi ,  Marloeke   Van Der Vlugt ,  Sofie   Ronduite

  • PDF (EN)

  01 Jan 2016

  15
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  Papers

  TECHNOPARTICIPATION: Intermeshing performative pedagogy and interruption

  Lee   Campbell

  • PDF (EN)

  01 Jan 2016

  15
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  Papers

  Sonic technologies of Postmodernity and the grain of the voice in Robert Lepage’s Lipsynch¹

  Glenn   D’Cruz

  • PDF (EN)

  01 Jan 2016

  15
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  Papers

  Lie Back and Take It: BDSM, Biomedicine and the Hospital Bed in the work of Bob Flanagan and Sheree Rose

  Martin   O’brien

  • PDF (EN)

  01 Jan 2016

  15
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  Papers

  Mobile Digital Performance Lab explores ‘States of Mind’

  Olu   Taiwo

  • PDF (EN)

  01 Jan 2016

  15
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  Papers

  Animacy, Motion, Emotion and Empathy in Visual Music: Enhancing appreciation of abstracted animation through wordless song

  Julie   Watkins

  • PDF (EN)

  01 Jan 2016

  15
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  Papers

  [Schm]alchemy: Magical sites and mischievous objects – episodes in a performative inquiry into the transformative and disruptive potency of stuff

  Gillian   Whiteley

  • PDF (EN)

  01 Jan 2016

  15
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  Papers

  Taxidermy, Documentation, and the ‘Liveness’ of Death

  Francis Marion Moseley   Wilson

  • PDF (EN)

  01 Jan 2016

  15
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  Perspectives

  The Viral Institute of Performance Architecture

  
  

  Kyveli   Anastasiadi ,  Aliki   Kylika ,  Alex   Schweder

  • PDF (EN)

  01 Jan 2016

  15
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  Reviews

  Me and My Shadow (2012)

  
  

  01 Jan 2015

  14
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  Editorial

  Editorial

  
  

  01 Jan 2015

  14