Articles

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  Perspectives

  Perspectives 2019

  
  

  Dani Ploeger, Catherine Seago, Lizzie Sykes

  • PDF (EN)
  • XML (EN)

  12 Mar 2019

  18 : 297-320
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  Reviews

  The Point of Connection: Accessing Affective Memories through Sonic and Embodied Technologies in Shannon Yee’s Reassembled, Slightly Askew

  Natalia Esling

  • PDF (EN)
  • XML (EN)

  12 Mar 2019

  18 : 321-330
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  Editorial

  Editorial

  
  

  Susan Broadhurst, Barry Edwards

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 : 1-2
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  Papers

  Dune Dream – Self-imaging, Trans-corporeality and the Environment

  Annette Arlander

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 : 3-21
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  Papers

  Visual Trends in Contemporary Visual Music Practice

  
  

  Emmanouil Kanellos

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 : 22-33
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  Papers

  Climbing the Virtual Stepladder: Exploring the Reality of Virtual Worlds in Performance

  James Else

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 : 34-50
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  Papers

  Composing Visual Music: Visual Music Practice at the Intersection of Technology, Audio-visual Rhythms and Human Traces

  Julie Watkins

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 : 51-75
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  Papers

  Music for Brainwaves: Embodiment of Sound, Space and EEG Data

  Luca Forcucci

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 : 76-94
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  Papers

  Hybridised Performance: Disruption and Deferment in Wagner’s Tristan and Isolde

  Susan Broadhurst

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 : 95-117
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  Papers

  Nu Shu GPS: 25°21’00.5N, 111°27’17.7E—An Interdisciplinary Cooperation between Dance, Calligraphy, and the Body in Multimedia Performance

  Yun-Ju Chen, Fiona Hui-Wen Cheng

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 : 118-130
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  Performances

  Performances

  
  

  Bryce Hope, Imogene Newland, Angela Main, Caroline Rumley, Laurel Jay Carpenter, Philippe Wozniak, Lucie Sykes, Michael Maurissens

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 : 131-152
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  Reviews

  A Tale of Three Cities 2017: Art Basel, Venice Biennale, Frieze London

  Neil Harvey, Susan Broadhurst

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 : 153-176
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  Perspectives

  Perspectives

  
  

  Dani Ploeger, Mary Anderson, Richard Haley, Billicia Charnelle Hines, Misha Penton

  • PDF (EN)
  • XML (EN)

  04 Apr 2018

  17 : 177-218
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  Editorial

  Editorial

  
  

  Editorial Team

  01 Jan 2017

  16
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  Papers

  Performing Landscape – Swinging Together or Playing with Projections

  Annette Arlander

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  SIGHT (UN)SPECIFIC: Performance as research predicated upon deploying acts of visual negation

  Lee Campbell, Adrian Lee, Carali Mccall

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  Love Letters – Wearing Stories Told: A performance-technology provocation for interactive storytelling

  Panayiota A. Demetriou, Odysseas Pappas, Stathis Kampylis

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  The Texas Sharpshooter Fallacy

  
  

  Clare Hammoor, Evelyn Walker

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  Harnessing Quantitative Eye Tracking Data to Create Art: Interdisciplinary Collaboration and Data Visualization

  Christian Riegel, Katherine M. Robinson, Ashley Herman

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  Animate Shadows: Exploring synaesthesia and kinesthesia within digitised dance

  Rachel Sweeney

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  Urban Butoh: A performance philosophy in an age of digital acceleration

  Olu Taiwo

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  7 Cities in 7 Minutes: A feminine paradigm of sensory art

  Alda Terracciano

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  An Investigation into Composing Visual Music Today

  
  

  Julie Watkins

  • PDF (EN)

  01 Jan 2017

  16
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  Papers

  Synaesthetic Resonances in the Intermedial Soundtrack of Imitating the Dog’s Tales from The Bar of Lost Souls

  Piotr Woycicki

  • PDF (EN)

  01 Jan 2017

  16
• 
  Perspectives

  Our Machines

  
  

  Vesna Petresin

  • PDF (EN)

  01 Jan 2017

  16