Articles

401 results

“Fluid Architectures and Sample Spaces: Reflections on a Media/Architecture Performance”
“Fluid Architectures and Sample Spaces: Reflections on a Media/Architecture Performance”

Heather Raikes

2002-01-01 Volume 2 • 2002 • 2

Performing the Trojan Horse: Laurie Anderson’s strategies of resistance and the “postmedia era”
Performing the Trojan Horse: Laurie Anderson’s strategies of resistance and the “postmedia era”

Fernando Do Nascimento Gonçalves

2002-01-01 Volume 2 • 2002 • 2

Corporeal Virtuality: The Impossibility of a Fleshless Ontology
Corporeal Virtuality: The Impossibility of a Fleshless Ontology

Ingrid Richardson and Carly Harper

2002-01-01 Volume 2 • 2002 • 2

Editorial
Editorial

Editorial Team

2002-01-01 Volume 2 • 2002 • 2

Definitions of Tempomorphic Performance
Definitions of Tempomorphic Performance

Rob Doyle

2002-01-01 Volume 2 • 2002 • 2

January 19, 2002 performance by Bill Aitchison - beginning near Union Square, NYC - 4:45 p.m.
January 19, 2002 performance by Bill Aitchison - beginning near Union Square, NYC - 4:45 p.m.

Julia Lee Barclay

2002-01-01 Volume 2 • 2002 • 2

(Re)Presenting Flesh and Text - where flesh utters and words move -
(Re)Presenting Flesh and Text - where flesh utters and words move -

Josephine Machon

2002-01-01 Volume 2 • 2002 • 2

Warning: Exposure to Deviants and Free Radicals may be dangerous to your health – video to follow. [Video1] Filmic Kineticism in the work of DV8 Physical Theatre, Carbone 14 and LaLaLa Human Steps
Warning: Exposure to Deviants and Free Radicals may be dangerous to your health – video to follow. [Video1] Filmic Kineticism in the work of DV8 Physical Theatre, Carbone 14 and LaLaLa Human Steps

John J Cook

2002-01-01 Volume 2 • 2002 • 2

Marked Symposium at the Arnolfini, Bristol, 2002 – a review
Marked Symposium at the Arnolfini, Bristol, 2002 – a review

Anja Musiat

2002-01-01 Volume 2 • 2002 • 2

Alice Croft, or: Transforming Performance in Internet Culture
Alice Croft, or: Transforming Performance in Internet Culture

Peter M Boenisch

2002-01-01 Volume 2 • 2002 • 2

Book Review: Erika Fischer-Lichte et.al. (eds.): Wahrnehmung und Medialität [Perception and mediality]. Tübingen/Basel: Francke 2001
Book Review: Erika Fischer-Lichte et.al. (eds.): Wahrnehmung und Medialität [Perception and mediality]. Tübingen/Basel: Francke 2001

Peter M Boenisch

2002-01-01 Volume 2 • 2002 • 2

Editorial
Editorial

Editorial Team

2001-07-01 Volume 2 • 2001 • 1

Suite Fantastique: Architecure and the Digital
Suite Fantastique: Architecure and the Digital

Johannes Birringer

2001-07-01 Volume 2 • 2001 • 1

Artistic Collaboration in an Interactive Dance and Music Performance Environment: Seine hohle Form, a project report
Artistic Collaboration in an Interactive Dance and Music Performance Environment: Seine hohle Form, a project report

Robert Weschler, Frieder Weiss and Joseph Butch Rovan

2001-07-01 Volume 2 • 2001 • 1

Reconciling Binary Oppositions
Reconciling Binary Oppositions

Anthony Padgett

2001-07-01 Volume 2 • 2001 • 1

Come in and Make Yourself at Home: Colonization and the Body/Technology Interface
Come in and Make Yourself at Home: Colonization and the Body/Technology Interface

Kent De Spain

2001-07-01 Volume 2 • 2001 • 1

Beaches and Bodies
Beaches and Bodies

Jen Webb

2001-07-01 Volume 2 • 2001 • 1

CO3 Company in Space – Hellen Sky and John McCormick Capital Theatre, September, 2001
CO3 Company in Space – Hellen Sky and John McCormick Capital Theatre, September, 2001

Julie Clarke

2001-07-01 Volume 2 • 2001 • 1

Observer/Observed and other works of Video Semiology
Observer/Observed and other works of Video Semiology

Takahiko Iimura

2001-07-01 Volume 2 • 2001 • 1

A Review about Scratching the Inner Fields Ultima Vez – Wim Vandekeybus
A Review about Scratching the Inner Fields Ultima Vez – Wim Vandekeybus

Maria Softsi

2001-07-01 Volume 2 • 2001 • 1

‘INFORMANCE’ made in ‘TRANSDANCE’ LAB by Maria Softsi, executive producer of the ‘Transdance’ lab
‘INFORMANCE’ made in ‘TRANSDANCE’ LAB by Maria Softsi, executive producer of the ‘Transdance’ lab

Maria Softsi

2001-06-01 Volume 2 • 2001 • 1

(Re)Confirming the Conventions - An Ontology of the Olfactory
(Re)Confirming the Conventions - An Ontology of the Olfactory

Helen Paris

2001-01-01 Volume 1 • 2001 • 2

(Syn)aesthetics and Disturbance - A Preliminary Overview
(Syn)aesthetics and Disturbance - A Preliminary Overview

Josephine Machon

2001-01-01 Volume 1 • 2001 • 2

A Tele-Presence Experiment: Optik in Sao Paulo + London
A Tele-Presence Experiment: Optik in Sao Paulo + London

Barry Edwards

2001-01-01 Volume 1 • 2001 • 2

Blue Bloodshot Flowers: Text for Performance
Blue Bloodshot Flowers: Text for Performance

Philip Stanier

2001-01-01 Volume 1 • 2001 • 2