Articles

391 results

Alice Croft, or: Transforming Performance in Internet Culture
Alice Croft, or: Transforming Performance in Internet Culture

Peter M Boenisch

2002-01-01 Volume 2 • 2002 • 2

Beaches and Bodies
Beaches and Bodies

Jen Webb

2001-07-01 Volume 2 • 2001 • 1

Artistic Collaboration in an Interactive Dance and Music Performance Environment: Seine hohle Form, a project report
Artistic Collaboration in an Interactive Dance and Music Performance Environment: Seine hohle Form, a project report

Robert Weschler, Frieder Weiss and Joseph Butch Rovan

2001-07-01 Volume 2 • 2001 • 1

Reconciling Binary Oppositions
Reconciling Binary Oppositions

Anthony Padgett

2001-07-01 Volume 2 • 2001 • 1

Suite Fantastique: Architecure and the Digital
Suite Fantastique: Architecure and the Digital

Johannes Birringer

2001-07-01 Volume 2 • 2001 • 1

CO3 Company in Space – Hellen Sky and John McCormick Capital Theatre, September, 2001
CO3 Company in Space – Hellen Sky and John McCormick Capital Theatre, September, 2001

Julie Clarke

2001-07-01 Volume 2 • 2001 • 1

Come in and Make Yourself at Home: Colonization and the Body/Technology Interface
Come in and Make Yourself at Home: Colonization and the Body/Technology Interface

Kent De Spain

2001-07-01 Volume 2 • 2001 • 1

A Review about Scratching the Inner Fields Ultima Vez – Wim Vandekeybus
A Review about Scratching the Inner Fields Ultima Vez – Wim Vandekeybus

Maria Softsi

2001-07-01 Volume 2 • 2001 • 1

Observer/Observed and other works of Video Semiology
Observer/Observed and other works of Video Semiology

Takahiko Iimura

2001-07-01 Volume 2 • 2001 • 1

Editorial
Editorial

Editorial Team

2001-07-01 Volume 2 • 2001 • 1

‘INFORMANCE’ made in ‘TRANSDANCE’ LAB by Maria Softsi, executive producer of the ‘Transdance’ lab
‘INFORMANCE’ made in ‘TRANSDANCE’ LAB by Maria Softsi, executive producer of the ‘Transdance’ lab

Maria Softsi

2001-06-01 Volume 2 • 2001 • 1

Improvisation and Composition
Improvisation and Composition

Ian Carr

2001-01-01 Volume 1 • 2001 • 2

(Re)Confirming the Conventions - An Ontology of the Olfactory
(Re)Confirming the Conventions - An Ontology of the Olfactory

Phil Stanier

2001-01-01 Volume 1 • 2001 • 2

(Syn)aesthetics and Disturbance - A Preliminary Overview
(Syn)aesthetics and Disturbance - A Preliminary Overview

Josephine Machon

2001-01-01 Volume 1 • 2001 • 2

Blue Bloodshot Flowers: Text for Performance
Blue Bloodshot Flowers: Text for Performance

Philip Stanier

2001-01-01 Volume 1 • 2001 • 2

Tides: A collaboration between composer Colin Riley and jazz saxophonist Tim Whitehead (Interactive Music)
Tides: A collaboration between composer Colin Riley and jazz saxophonist Tim Whitehead (Interactive Music)

Colin Riley

2001-01-01 Volume 1 • 2001 • 2

"Nine Tales for Nonet" an improvisational exercise for nine musiciansa
"Nine Tales for Nonet" an improvisational exercise for nine musiciansa

Frank Griffith

2001-01-01 Volume 1 • 2001 • 2

Interfaces: Meeting Points for Improvisation and Composition
Interfaces: Meeting Points for Improvisation and Composition

Peter Rudnick

2001-01-01 Volume 1 • 2001 • 2

Editorial
Editorial

Editorial Team

2001-01-01 Volume 1 • 2001 • 2

Problems in definitions of composition and improvisation in jazz and jazz education
Problems in definitions of composition and improvisation in jazz and jazz education

Charlie Beale

2001-01-01 Volume 1 • 2001 • 2

Technogenderbody
Technogenderbody

Kimberly Bartosik

2001-01-01 Volume 1 • 2001 • 2

Notes for Improvisers
Notes for Improvisers

Daryl Runswick

2001-01-01 Volume 1 • 2001 • 2

(Re)Confirming the Conventions - An Ontology of the Olfactory
(Re)Confirming the Conventions - An Ontology of the Olfactory

Helen Paris

2001-01-01 Volume 1 • 2001 • 2

Liminal Acts - A Critical Overview of Contemporary Performance and Theory
Liminal Acts - A Critical Overview of Contemporary Performance and Theory

Josephine Machon

2001-01-01 Volume 1 • 2001 • 2

A Tele-Presence Experiment: Optik in Sao Paulo + London
A Tele-Presence Experiment: Optik in Sao Paulo + London

Barry Edwards

2001-01-01 Volume 1 • 2001 • 2