Articles

• 
  Reviews

  Perception of Moral Values in Yoruba Home Video Film: An analysis of Ayitale

  Nasir Taofiq Olaide

  • PDF (EN)

  01 Jan 2016

  15
• 
  Editorial

  Editorial

  
  

  Editorial Team

  01 Jan 2016

  15
• 
  Papers

  Monsters and Machines: The avatar performance as the carnivalesque of the digital age

  Aikaterini Antonopoulou

  • PDF (EN)

  01 Jan 2016

  15
• 
  Papers

  Body as Play

  
  

  Licia Calvi, Marloeke Van Der Vlugt, Sofie Ronduite

  • PDF (EN)

  01 Jan 2016

  15
• 
  Papers

  TECHNOPARTICIPATION: Intermeshing performative pedagogy and interruption

  Lee Campbell

  • PDF (EN)

  01 Jan 2016

  15
• 
  Papers

  Sonic technologies of Postmodernity and the grain of the voice in Robert Lepage’s Lipsynch¹

  Glenn D’Cruz

  • PDF (EN)

  01 Jan 2016

  15
• 
  Papers

  Lie Back and Take It: BDSM, Biomedicine and the Hospital Bed in the work of Bob Flanagan and Sheree Rose

  Martin O’brien

  • PDF (EN)

  01 Jan 2016

  15
• 
  Papers

  Mobile Digital Performance Lab explores ‘States of Mind’

  Olu Taiwo

  • PDF (EN)

  01 Jan 2016

  15
• 
  Papers

  Animacy, Motion, Emotion and Empathy in Visual Music: Enhancing appreciation of abstracted animation through wordless song

  Julie Watkins

  • PDF (EN)

  01 Jan 2016

  15
• 
  Papers

  [Schm]alchemy: Magical sites and mischievous objects – episodes in a performative inquiry into the transformative and disruptive potency of stuff

  Gillian Whiteley

  • PDF (EN)

  01 Jan 2016

  15
• 
  Papers

  Taxidermy, Documentation, and the ‘Liveness’ of Death

  Francis Marion Moseley Wilson

  • PDF (EN)

  01 Jan 2016

  15
• 
  Perspectives

  The Viral Institute of Performance Architecture

  
  

  Kyveli Anastasiadi, Aliki Kylika, Alex Schweder

  • PDF (EN)

  01 Jan 2016

  15
• 
  Reviews

  Me and My Shadow (2012)

  
  

  Kelly Preece

  01 Jan 2015

  14
• 
  Editorial

  Editorial

  
  

  Editorial Team

  01 Jan 2015

  14
• 
  Papers

  Body-movement-interaction: Perception and consciousness in interactive digital 3-dimensional audio-visual installations

  Ken Byers

  • PDF (EN)

  01 Jan 2015

  14
• 
  Papers

  Moving or Morphing Target? Hypermedial Hybrids, Diller+Scofidio-Style

  • PDF (EN)

  01 Jan 2015

  14
• 
  Papers

  Green: Exploring the aestheticized use of chroma-key techniques and technologies in two intermedial productions

  Matt Delbridge, Lee McGowan

  • PDF (EN)

  01 Jan 2015

  14
• 
  Papers

  Beyond Narrative: Sound design as dramaturgy in contemporary performance

  Rea Dennis, Magda Miranda

  • PDF (EN)

  01 Jan 2015

  14
• 
  Papers

  Ominous: Playfulness and emergence in a performance for biophysical music

  Marco Donnarumma

  • PDF (EN)

  01 Jan 2015

  14
• 
  Papers

  Structuring online learning collectivities

  
  

  Olga Ioannou

  01 Jan 2015

  14
• 
  Papers

  Studio for Electronic Theatre – Jumping into the Abyss of Technology

  Fahrudhin Nuno Salihbegovic

  • PDF (EN)

  01 Jan 2015

  14
• 
  Papers

  Matter Mattering: ‘Intra-activity’ in live media performance

  Jo Scott

  • PDF (EN)

  01 Jan 2015

  14
• 
  Papers

  A Tale of Two Cities: Investigating the process of set design in community theatre in South Africa and Zimbabwe using Intuba Arts Development (Durban) and Bambelela Arts Ensemble (Bulawayo) as case studies

  Nkululeko Sibanda

  • PDF (EN)

  01 Jan 2015

  14
• 
  Papers

  Perceiving the Interactive Body in Dance: Enhancing kinesthetic empathy through art objects

  Michael Smith, Jenny Roche

  • PDF (EN)

  01 Jan 2015

  14
• 
  Papers

  ‘Bangers to Cancer’: Social media, charity fundraising and objectification

  Emily Underwood-Lee

  • PDF (EN)

  01 Jan 2015

  14