Articles

401 results

Performance Map: A digital mapping of the global performance art network from 1975-present and beyond
Performance Map: A digital mapping of the global performance art network from 1975-present and beyond

Rebecca Clunn and Kerstin Haustein

2014-01-01 Volume 13 • 2014

Taking care of bodies ~ tracing gestures betwixt and between live-digital dancing
Taking care of bodies ~ tracing gestures betwixt and between live-digital dancing

Kerry Francksen

2014-01-01 Volume 13 • 2014

Transmedia Choreography: Integrating Multimodal Video Annotation in the Creative Process of a Social Robotics Performance Piece
Transmedia Choreography: Integrating Multimodal Video Annotation in the Creative Process of a Social Robotics Performance Piece

Stephan Jürgens

2014-01-01 Volume 13 • 2014

Iconoclasm in Visual Music
Iconoclasm in Visual Music

Emmanouil Kanellos

2014-01-01 Volume 13 • 2014

Intraexpressive resonance in The Fragmented Orchestra
Intraexpressive resonance in The Fragmented Orchestra

Claudia Mongini

2014-01-01 Volume 13 • 2014

Eerie Prostheses and Kinky Strap-Ons: Mori’s uncanny valley and ableist ideology
Eerie Prostheses and Kinky Strap-Ons: Mori’s uncanny valley and ableist ideology

Daniël Ploeger

2014-01-01 Volume 13 • 2014

Facebook as a space for agency: negotiations by users and non-users
Facebook as a space for agency: negotiations by users and non-users

Minna Saariketo

2014-01-01 Volume 13 • 2014

Atmospheric video blogs on infertility
Atmospheric video blogs on infertility

Nathalie Soelmark

2014-01-01 Volume 13 • 2014

Re-conceptualizing Street Arts in a Digital Age: Knowing the world through embodied cognition and social media
Re-conceptualizing Street Arts in a Digital Age: Knowing the world through embodied cognition and social media

Olu Taiwo

2014-01-01 Volume 13 • 2014

Incorporating Creative Technologies: A choreography for the ears
Incorporating Creative Technologies: A choreography for the ears

Becca Wood

2014-01-01 Volume 13 • 2014

Dear Mama - An Artistic Statement
Dear Mama - An Artistic Statement

Kendra Jones

2014-01-01 Volume 13 • 2014

Failed embodiment, silent speech, and ontological intermediality in Edward Bond’s production of The Under Room
Failed embodiment, silent speech, and ontological intermediality in Edward Bond’s production of The Under Room

Dr. Kate Katafiasz

2013-01-01 Volume 12 • 2013

Robert Lepage’s Scenographic Dramaturgy: The Aesthetic Signature at Work
Robert Lepage’s Scenographic Dramaturgy: The Aesthetic Signature at Work

Melissa Poll

2013-01-01 Volume 12 • 2013

The Yellow Sound An unstageable composition? Technology, modernism and spaces that should-not-be
The Yellow Sound An unstageable composition? Technology, modernism and spaces that should-not-be

Geraint D'arcy

2013-01-01 Volume 12 • 2013

Metamorphosis: Titian 2012
Metamorphosis: Titian 2012

Susan Broadhurst

2013-01-01 Volume 12 • 2013

Deviant Practices: Technological Re-codings of the City through Radical Play
Deviant Practices: Technological Re-codings of the City through Radical Play

Laura Bissell

2013-01-01 Volume 12 • 2013

Going Home: Mike Kelley, Mobile Rhetoric, and Detroit
Going Home: Mike Kelley, Mobile Rhetoric, and Detroit

Mary Elizabeth Anderson and Richard Haley

2013-01-01 Volume 12 • 2013

Work in Progress: Audience Engagement and an ‘Aesthetic of Unfinish’ in Richard Schechner’s Imagining O (2011/12)
Work in Progress: Audience Engagement and an ‘Aesthetic of Unfinish’ in Richard Schechner’s Imagining O (2011/12)

Rosemary Klich

2013-01-01 Volume 12 • 2013

Mudra: Choreography in Hands
Mudra: Choreography in Hands

Sreenath Nair

2013-01-01 Volume 12 • 2013

CREW’s Terra Nova: experiencing modes of immersion in actualvirtual space
CREW’s Terra Nova: experiencing modes of immersion in actualvirtual space

Prof. Robin Nelson

2013-01-01 Volume 12 • 2013

FALLING (1)
FALLING (1)

Anna Walker

2013-01-01 Volume 12 • 2013

Discovering the Non-self: The Construction of Language, Trance, and Space
Discovering the Non-self: The Construction of Language, Trance, and Space

Judson Wright

2013-01-01 Volume 12 • 2013

CAPTAS: an urban-mobile artistic intervention in Brazil
CAPTAS: an urban-mobile artistic intervention in Brazil

Fabio Oliveira Nunes and Soraya Braz

2013-01-01 Volume 12 • 2013

Things that start slowly
Things that start slowly

Anna Macdonald

2013-01-01 Volume 12 • 2013

Choreographic Objects: Stifters Dinge
Choreographic Objects: Stifters Dinge

Johannes Birringer

2013-01-01 Volume 12 • 2013