Articles

391 results

Transmedia Choreography: Integrating Multimodal Video Annotation in the Creative Process of a Social Robotics Performance Piece
Transmedia Choreography: Integrating Multimodal Video Annotation in the Creative Process of a Social Robotics Performance Piece

Stephan Jürgens

2014-01-01 Volume 13 • 2014

Things that start slowly
Things that start slowly

Anna Macdonald

2013-01-01 Volume 12 • 2013

Robert Lepage’s Scenographic Dramaturgy: The Aesthetic Signature at Work
Robert Lepage’s Scenographic Dramaturgy: The Aesthetic Signature at Work

Melissa Poll

2013-01-01 Volume 12 • 2013

Metamorphosis: Titian 2012
Metamorphosis: Titian 2012

Susan Broadhurst

2013-01-01 Volume 12 • 2013

Choreographic Objects: Stifters Dinge
Choreographic Objects: Stifters Dinge

Johannes Birringer

2013-01-01 Volume 12 • 2013

The Yellow Sound An unstageable composition? Technology, modernism and spaces that should-not-be
The Yellow Sound An unstageable composition? Technology, modernism and spaces that should-not-be

Geraint D'arcy

2013-01-01 Volume 12 • 2013

CREW’s Terra Nova: experiencing modes of immersion in actualvirtual space
CREW’s Terra Nova: experiencing modes of immersion in actualvirtual space

Prof. Robin Nelson

2013-01-01 Volume 12 • 2013

Discovering the Non-self: The Construction of Language, Trance, and Space
Discovering the Non-self: The Construction of Language, Trance, and Space

Judson Wright

2013-01-01 Volume 12 • 2013

FALLING (1)
FALLING (1)

Anna Walker

2013-01-01 Volume 12 • 2013

Going Home: Mike Kelley, Mobile Rhetoric, and Detroit
Going Home: Mike Kelley, Mobile Rhetoric, and Detroit

Mary Elizabeth Anderson and Richard Haley

2013-01-01 Volume 12 • 2013

CAPTAS: an urban-mobile artistic intervention in Brazil
CAPTAS: an urban-mobile artistic intervention in Brazil

Fabio Oliveira Nunes and Soraya Braz

2013-01-01 Volume 12 • 2013

Failed embodiment, silent speech, and ontological intermediality in Edward Bond’s production of The Under Room
Failed embodiment, silent speech, and ontological intermediality in Edward Bond’s production of The Under Room

Dr. Kate Katafiasz

2013-01-01 Volume 12 • 2013

Editorial
Editorial

Editorial Team

2013-01-01 Volume 12 • 2013

Work in Progress: Audience Engagement and an ‘Aesthetic of Unfinish’ in Richard Schechner’s Imagining O (2011/12)
Work in Progress: Audience Engagement and an ‘Aesthetic of Unfinish’ in Richard Schechner’s Imagining O (2011/12)

Rosemary Klich

2013-01-01 Volume 12 • 2013

Deviant Practices: Technological Re-codings of the City through Radical Play
Deviant Practices: Technological Re-codings of the City through Radical Play

Laura Bissell

2013-01-01 Volume 12 • 2013

Mudra: Choreography in Hands
Mudra: Choreography in Hands

Sreenath Nair

2013-01-01 Volume 12 • 2013

A Queer and Pleasant Danger: A memoir by Kate Bornstein
A Queer and Pleasant Danger: A memoir by Kate Bornstein

Lisa Newman

2013-01-01 Volume 12 • 2013

Artist-centric Inquiry
Artist-centric Inquiry

John Mead

2012-01-01 Volume 11 • 2012

'Blood Piano': Music, Femininity and the Abject – A Practice-Led Enquiry
'Blood Piano': Music, Femininity and the Abject – A Practice-Led Enquiry

Imogene Newland

2012-01-01 Volume 11 • 2012

I am Sitting in a Room
I am Sitting in a Room

Stina Hasse

2012-01-01 Volume 11 • 2012

Embodiment, Transparency and the Disclosiveness of Failure
Embodiment, Transparency and the Disclosiveness of Failure

Shaun May

2012-01-01 Volume 11 • 2012

Visual Recorders
Visual Recorders

Lee Campbell

2012-01-01 Volume 11 • 2012

Dispersed and Dislocated: The construction of liveness in live intermedial performance
Dispersed and Dislocated: The construction of liveness in live intermedial performance

Jo Scott

2012-01-01 Volume 11 • 2012

Solitary Place: Scenodynamic Architecture and The Avant Garde
Solitary Place: Scenodynamic Architecture and The Avant Garde

Sozita Goudouna

2011-07-01 Volume 10 • 2011 • 2

Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation
Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation

Andrea Davidson

2011-07-01 Volume 10 • 2011 • 1