Articles

401 results

Sonic technologies of Postmodernity and the grain of the voice in Robert Lepage’s Lipsynch1
Sonic technologies of Postmodernity and the grain of the voice in Robert Lepage’s Lipsynch1

Glenn D’Cruz

2016-01-01 Volume 15 • 2016

Lie Back and Take It: BDSM, Biomedicine and the Hospital Bed in the work of Bob Flanagan and Sheree Rose
Lie Back and Take It: BDSM, Biomedicine and the Hospital Bed in the work of Bob Flanagan and Sheree Rose

Martin O’brien

2016-01-01 Volume 15 • 2016

Mobile Digital Performance Lab explores ‘States of Mind’
Mobile Digital Performance Lab explores ‘States of Mind’

Olu Taiwo

2016-01-01 Volume 15 • 2016

Animacy, Motion, Emotion and Empathy in Visual Music: Enhancing appreciation of abstracted animation through wordless song
Animacy, Motion, Emotion and Empathy in Visual Music: Enhancing appreciation of abstracted animation through wordless song

Julie Watkins

2016-01-01 Volume 15 • 2016

[Schm]alchemy: Magical sites and mischievous objects – episodes in a performative inquiry into the transformative and disruptive potency of stuff
[Schm]alchemy: Magical sites and mischievous objects – episodes in a performative inquiry into the transformative and disruptive potency of stuff

Gillian Whiteley

2016-01-01 Volume 15 • 2016

Taxidermy, Documentation, and the ‘Liveness’ of Death
Taxidermy, Documentation, and the ‘Liveness’ of Death

Francis Marion Moseley Wilson

2016-01-01 Volume 15 • 2016

The Viral Institute of Performance Architecture
The Viral Institute of Performance Architecture

Kyveli Anastasiadi, Aliki Kylika and Alex Schweder

2016-01-01 Volume 15 • 2016

Perception of Moral Values in Yoruba Home Video Film: An analysis of Ayitale
Perception of Moral Values in Yoruba Home Video Film: An analysis of Ayitale

Nasir Taofiq Olaide

2016-01-01 Volume 15 • 2016

Structuring online learning collectivities
Structuring online learning collectivities

Olga Ioannou

2015-01-01 Volume 14 • 2015

Ominous: Playfulness and emergence in a performance for biophysical music
Ominous: Playfulness and emergence in a performance for biophysical music

Marco Donnarumma

2015-01-01 Volume 14 • 2015

Beyond Narrative: Sound design as dramaturgy in contemporary performance
Beyond Narrative: Sound design as dramaturgy in contemporary performance

Rea Dennis and Magda Miranda

2015-01-01 Volume 14 • 2015

Green: Exploring the aestheticized use of chroma-key techniques and technologies in two intermedial productions
Green: Exploring the aestheticized use of chroma-key techniques and technologies in two intermedial productions

Matt Delbridge and Lee McGowan

2015-01-01 Volume 14 • 2015

Moving or Morphing Target? Hypermedial Hybrids, Diller+Scofidio-Style
Moving or Morphing Target? Hypermedial Hybrids, Diller+Scofidio-Style

Christophe Collard

2015-01-01 Volume 14 • 2015

Body-movement-interaction: Perception and consciousness in interactive digital 3-dimensional audio-visual installations
Body-movement-interaction: Perception and consciousness in interactive digital 3-dimensional audio-visual installations

Ken Byers

2015-01-01 Volume 14 • 2015

Editorial
Editorial

Editorial Team

2015-01-01 Volume 14 • 2015

Studio for Electronic Theatre – Jumping into the Abyss of Technology
Studio for Electronic Theatre – Jumping into the Abyss of Technology

Fahrudhin Nuno Salihbegovic

2015-01-01 Volume 14 • 2015

Matter Mattering: ‘Intra-activity’ in live media performance
Matter Mattering: ‘Intra-activity’ in live media performance

Jo Scott

2015-01-01 Volume 14 • 2015

Me and My Shadow (2012)
Me and My Shadow (2012)

Kelly Preece

2015-01-01 Volume 14 • 2015

Long Form Improvisation, Feedback Loops and Cybernetics
Long Form Improvisation, Feedback Loops and Cybernetics

Glenn Noble and Daren Pickles

2015-01-01 Volume 14 • 2015

Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices
Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices

Jillian Wallis

2015-01-01 Volume 14 • 2015

‘Bangers to Cancer’: Social media, charity fundraising and objectification
‘Bangers to Cancer’: Social media, charity fundraising and objectification

Emily Underwood-Lee

2015-01-01 Volume 14 • 2015

Perceiving the Interactive Body in Dance: Enhancing kinesthetic empathy through art objects
Perceiving the Interactive Body in Dance: Enhancing kinesthetic empathy through art objects

Michael Smith and Jenny Roche

2015-01-01 Volume 14 • 2015

A Tale of Two Cities: Investigating the process of set design in community theatre in South Africa and Zimbabwe using Intuba Arts Development (Durban) and Bambelela Arts Ensemble (Bulawayo) as case studies
A Tale of Two Cities: Investigating the process of set design in community theatre in South Africa and Zimbabwe using Intuba Arts Development (Durban) and Bambelela Arts Ensemble (Bulawayo) as case studies

Nkululeko Sibanda

2015-01-01 Volume 14 • 2015

Searching For Virtual Venus in Life Simulation Games
Searching For Virtual Venus in Life Simulation Games

Shaifali Gautam

2014-01-01 Volume 13 • 2014

Editorial
Editorial

Editorial Team

2014-01-01 Volume 13 • 2014