Articles

401 results

Interesting Times? Venice Biennale and Berlin Art Week 2019
Interesting Times? Venice Biennale and Berlin Art Week 2019

Neil Harvey

2020-02-19 Volume 19 • 2020 • 239–254

Choreography of Sonic Chopsticks and Intervention of Digital Technology with Dancing Bodies
Choreography of Sonic Chopsticks and Intervention of Digital Technology with Dancing Bodies

Zhi Xu

2020-02-19 Volume 19 • 2020 • 56–75

Playing the Zombie: Participation and Interpassivity in Gothic XR
Playing the Zombie: Participation and Interpassivity in Gothic XR

Sarah O’Brien

2020-02-19 Volume 19 • 2020 • 76–96

Guidebook for Mirror Worlds. Poetics of Transparency in Augmented Reality
Guidebook for Mirror Worlds. Poetics of Transparency in Augmented Reality

Federico Biggio

2020-02-19 Volume 19 • 2020 • 97–108

Performance without Actors: The Theatrical Docu-Fiction
Performance without Actors: The Theatrical Docu-Fiction

Ester Fuoco

2020-02-19 Volume 19 • 2020 • 109–124

The Encounter with the Real: What Can Complicite’s Theatre Performance The Encounter Teach Us about the Future of VR Narratives?
The Encounter with the Real: What Can Complicite’s Theatre Performance The Encounter Teach Us about the Future of VR Narratives?

Fahrudin Salihbegovic

2020-02-19 Volume 19 • 2020 • 125–152

‘The Biscuit Town’: Digital Practice, Spatiality and Discoverability in Reading’s Heritage Sector
‘The Biscuit Town’: Digital Practice, Spatiality and Discoverability in Reading’s Heritage Sector

Teresa Murjas

2020-02-19 Volume 19 • 2020 • 153–173

Screened Live: Technologically Reconfiguring Notions of the Author
Screened Live: Technologically Reconfiguring Notions of the Author

Bernadette Cochrane

2020-02-19 Volume 19 • 2020 • 174–192

Subjugating Other Cultural Narratives in the Construction of Immersive Environments
Subjugating Other Cultural Narratives in the Construction of Immersive Environments

Olu Taiwo

2020-02-19 Volume 19 • 2020 • 193–202

A Santa with a Butt Plug: Paul McCarthy and the Obliterating Violence of Positivity
A Santa with a Butt Plug: Paul McCarthy and the Obliterating Violence of Positivity

Natasha Lushetich

2020-02-19 Volume 19 • 2020 • 203–223

Virtual Reality and Choreographic Practice: The Potential for New Creative Methods
Virtual Reality and Choreographic Practice: The Potential for New Creative Methods

Rosemary E. Cisneros, Karen Wood, Sarah Whatley, Michele Buccoli, Massimiliano Zanoni and Augusto Sarti

2019-03-12 Volume 18 • 2019 • 1–32

Forming a Sonic Identity through the Integration of Transculturality and Technology
Forming a Sonic Identity through the Integration of Transculturality and Technology

Nathan Riki Thomson and Otso Lähdeoja

2019-03-12 Volume 18 • 2019 • 33–60

The Theatre of the Selfie: Fictive Practices of the Instagram Artist
The Theatre of the Selfie: Fictive Practices of the Instagram Artist

Sara Sylvester

2019-03-12 Volume 18 • 2019 • 61–107

Performing the Electrical: Ecologies of the Imaginary and Fem-technologies
Performing the Electrical: Ecologies of the Imaginary and Fem-technologies

Geneva Foster Gluck

2019-03-12 Volume 18 • 2019 • 108–125

Deprivation Strategies: Increasing Public Understanding of Vision Impairment Using Performative Pedagogy
Deprivation Strategies: Increasing Public Understanding of Vision Impairment Using Performative Pedagogy

Lee Campbell

2019-03-12 Volume 18 • 2019 • 126–144

Social Justice and Artificial Intelligence by Dr. Adnan Hadzi (University of Malta)
Social Justice and Artificial Intelligence by Dr. Adnan Hadzi (University of Malta)

Adnan Hadzi

2019-03-12 Volume 18 • 2019 • 145–174

Visceral Dramaturgies: Curating Sensation in Immersive Art
Visceral Dramaturgies: Curating Sensation in Immersive Art

Rosemary Klich

2019-03-12 Volume 18 • 2019 • 175–197

Diversity and Inclusivity in the Age of Wearables: A Buzzword, a Myth, an Uncertain Reality
Diversity and Inclusivity in the Age of Wearables: A Buzzword, a Myth, an Uncertain Reality

Anastasios Maragiannis and Rain Ashford

2019-03-12 Volume 18 • 2019 • 198–214

Bites of Passage: Thresholds, Permeability and Hand-Fed Food for Thought
Bites of Passage: Thresholds, Permeability and Hand-Fed Food for Thought

Steve Fossey

2019-03-12 Volume 18 • 2019 • 215–234

Tide Times: Responding to Cramond
Tide Times: Responding to Cramond

Laura Bissell and Timothy Cooper

2019-03-12 Volume 18 • 2019 • 235–266

Soi Moi: The Techno-Soma-Aesthetics of a Dance for the iPhone
Soi Moi: The Techno-Soma-Aesthetics of a Dance for the iPhone

Paula Varanda

2019-03-12 Volume 18 • 2019 • 267-296

Perspectives 2019
Perspectives 2019

Dani Ploeger, Catherine Seago and Lizzie Sykes

2019-03-12 Volume 18 • 2019 • 297-320

The Point of Connection: Accessing Affective Memories through Sonic and Embodied Technologies in Shannon Yee’s Reassembled, Slightly Askew
The Point of Connection: Accessing Affective Memories through Sonic and Embodied Technologies in Shannon Yee’s Reassembled, Slightly Askew

Natalia Esling

2019-03-12 Volume 18 • 2019 • 321-330

Editorial
Editorial

Susan Broadhurst and Barry Edwards

2018-04-04 Volume 17 • 2018 • 1-2

Dune Dream – Self-imaging, Trans-corporeality and the Environment
Dune Dream – Self-imaging, Trans-corporeality and the Environment

Annette Arlander

2018-04-04 Volume 17 • 2018 • 3-21