Articles
401 results
Intereaction, Reaction and Performance: The human body tracking project
Sue Broadhurst
2001-01-01 Volume 1 • 2001 • 2
Interfaces: Meeting Points for Improvisation and Composition
Peter Rudnick
2001-01-01 Volume 1 • 2001 • 2
"Nine Tales for Nonet" an improvisational exercise for nine musiciansa
Frank Griffith
2001-01-01 Volume 1 • 2001 • 2
Liminal Acts - A Critical Overview of Contemporary Performance and Theory
Josephine Machon
2001-01-01 Volume 1 • 2001 • 2
(Re)Confirming the Conventions - An Ontology of the Olfactory
Phil Stanier
2001-01-01 Volume 1 • 2001 • 2
Problems in definitions of composition and improvisation in jazz and jazz education
Charlie Beale
2001-01-01 Volume 1 • 2001 • 2
Ecstasy: a Source of Intimacy or Applications of the Dionysiac Model for Grotowski’s Theatre
Anna Misopolinou
2000-07-01 Volume 1 • 2000 • 1
Performance as revolutionary activity: liminality and social change
Dan Friedman
2000-07-01 Volume 1 • 2000 • 1
The Performer and the Machine: Some Aspects of Laurie Anderson's Stage Work
Silvija Jestrovic
2000-07-01 Volume 1 • 2000 • 1
Addenda? Contemporary Cyborgs and the Mediation of Embodiment
Petra Kuppers
2000-07-01 Volume 1 • 2000 • 1
‘Strobe Light Consciousness and Body Technology in the Theatre of Antonin Artaud.’
Milton Loayza
2000-07-01 Volume 1 • 2000 • 1
4D Design: Applied Performance in the Experience Economy?
Alec Robertson and James Woudhuysen
2000-07-01 Volume 1 • 2000 • 1
Into the Blazing Light: Liminality in Joe Orton’s What the Butler Saw
Chun-Yi Shih
2000-07-01 Volume 1 • 2000 • 1