Articles

Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation
Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation

Andrea Davidson

2011-07-01 Issue 1 • 2011 • Volume 10

‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice
‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice

Stan Wijnans

2011-07-01 Issue 2 • 2011 • Volume 10

‘Seeding a Lead’: Exploring the Live Theatre Industry’s Reception of a Pre-Market Canadian Display Technology
‘Seeding a Lead’: Exploring the Live Theatre Industry’s Reception of a Pre-Market Canadian Display Technology

Gerd Hauck, Jill Tomasson Goodwin, David Goodwin, Paul Guild and Doug Sparkes

2011-06-01 Issue 2 • 2011 • Volume 10

Binary Coded Performance
Binary Coded Performance

Nicolas Salazar-Sutil

2011-06-01 Issue 2 • 2011 • Volume 10

Digital Parts / Modular Doubles: fragmenting the ‘digital double’
Digital Parts / Modular Doubles: fragmenting the ‘digital double’

Daniël Ploeger

2011-01-01 Issue 1 • 2011 • Volume 10

Between Body and Sound: listening to the digitized body
Between Body and Sound: listening to the digitized body

Stacey Sewell

2011-01-01 Issue 1 • 2011 • Volume 10

e_motions in process
e_motions in process

Barbara Rauch

2011-01-01 Issue 1 • 2011 • Volume 10

Editorial
Editorial

Editorial Team

2011-01-01 2011 • Volume 11

White Body: animating feminine pleasure
White Body: animating feminine pleasure

Kayla Parker

2011-01-01 Issue 2 • 2011 • Volume 10

Algorithms for Social Curation: Designing and evaluating an embodied and subjectively situated visual art Interpretation and navigation system (VAINS)
Algorithms for Social Curation: Designing and evaluating an embodied and subjectively situated visual art Interpretation and navigation system (VAINS)

Eleanor Dare and Lee Weinberg

2011-01-01 Issue 1 • 2011 • Volume 10