Articles

391 results

Intereaction, Reaction and Performance: The human body tracking project
Intereaction, Reaction and Performance: The human body tracking project

Sue Broadhurst

2001-01-01 Volume 1 • 2001 • 2

Liminal Aesthetics
Liminal Aesthetics

Sue Broadhurst

2000-07-01 Volume 1 • 2000 • 1

What do we see in theatre?
What do we see in theatre?

Mischa Twitchin

2000-07-01 Volume 1 • 2000 • 1

The Informe Body
The Informe Body

Tracey Warr

2000-07-01 Volume 1 • 2000 • 1

‘Strobe Light Consciousness and Body Technology in the Theatre of Antonin Artaud.’
‘Strobe Light Consciousness and Body Technology in the Theatre of Antonin Artaud.’

Milton Loayza

2000-07-01 Volume 1 • 2000 • 1

Subliminal Voices from Nowhere
Subliminal Voices from Nowhere

Peter Stafford

2000-07-01 Volume 1 • 2000 • 1

4D Design: Applied Performance in the Experience Economy?
4D Design: Applied Performance in the Experience Economy?

Alec Robertson and James Woudhuysen

2000-07-01 Volume 1 • 2000 • 1

Addenda? Contemporary Cyborgs and the Mediation of Embodiment
Addenda? Contemporary Cyborgs and the Mediation of Embodiment

Petra Kuppers

2000-07-01 Volume 1 • 2000 • 1

Into the Blazing Light: Liminality in Joe Orton’s What the Butler Saw
Into the Blazing Light: Liminality in Joe Orton’s What the Butler Saw

Chun-Yi Shih

2000-07-01 Volume 1 • 2000 • 1

Transformations within the Gap: Liminality and Principles of Vedic Language Theory in Performance
Transformations within the Gap: Liminality and Principles of Vedic Language Theory in Performance

Anna Bonshek

2000-07-01 Volume 1 • 2000 • 1

Displacing ‘Humans’: Merce Cunningham’s Crowds
Displacing ‘Humans’: Merce Cunningham’s Crowds

Dee Reynolds

2000-07-01 Volume 1 • 2000 • 1

Ecstasy: a Source of Intimacy or Applications of the Dionysiac Model for Grotowski’s Theatre
Ecstasy: a Source of Intimacy or Applications of the Dionysiac Model for Grotowski’s Theatre

Anna Misopolinou

2000-07-01 Volume 1 • 2000 • 1

Editorial
Editorial

Editorial Team

2000-07-01 Volume 1 • 2000 • 1

The Performer and the Machine: Some Aspects of Laurie Anderson's Stage Work
The Performer and the Machine: Some Aspects of Laurie Anderson's Stage Work

Silvija Jestrovic

2000-07-01 Volume 1 • 2000 • 1

Performance as revolutionary activity: liminality and social change
Performance as revolutionary activity: liminality and social change

Dan Friedman

2000-07-01 Volume 1 • 2000 • 1

Liminal Spaces within a Contemporary Australian Art's Practice Abstract Stagings of Fleeting Narratives: Alluding to Memory
Liminal Spaces within a Contemporary Australian Art's Practice Abstract Stagings of Fleeting Narratives: Alluding to Memory

Zofia Sleziak

2000-06-01 Volume 1 • 2000 • 1