2016 has been a year of political surprises which have been difficult to keep up with, however, change is always happening and this inevitably offers new landscapes for artistic creativity. At BST we have always been open to change and we are guided by artists' own reflections on events and the directions they choose to take. The Journal, as usual, welcomes international readership and contributions from artists and academics from all over the world. We remain committed to being an open access publication and welcome innovation and experimentation in the Arts, in whatever form it takes or processes from which it arises. We invite readers to be stimulated by the current issue and hope it encourages future contributions that will surprise and perhaps even lead to the unexpected in our fields of research and creativity.
SUE BROADHURST, Brunel University
BARRY EDWARDS, Director Optik
CAMILLE BAKER, University for the Creative Arts
THOMAS BETTERIDGE, Brunel University
JOHANNES BIRRINGER, Brunel University
CAROL BROWN, University of Auckland
MARIA CHATZICHRISTODOULOU (aka MARIA X) - London South Bank University
FELICITY COLMAN, University of Kingston
ELENA COLOGNI, University of Cambridge
JAMES G. R. CRONIN, University College Cork
DIANA DAMIAN, Royal Central School of Speech and Drama
GLENN D'CRUZ, Deakin University, Australia
STEVE DIXON, LASALLE College of the Arts, Singapore
GABRIELLA GIANNACHI, University of Exeter
EMMANOUIL KANELLOS, University of Greenwich
PETRA KUPPERS, University of Michigan, US
JO MACHON, University of Middlesex
JOHN MATTIAS, University of Plymouth
DAVID OSBON, University of West London
DANIEL PLOEGER, Royal Central School of Speech and Drama
SITA POPAT, University of Leeds
FRANZISKA SCHRODER, Queen's University Belfast
STELARC, Curtin University, Western Australia
OLU TAIWO, Univeristy of Winchester
FIONA TEMPLETON, Brunel University
TRACEY WARR, Independent Writer
Christian Riegel, Katherine M. Robinson and Ashley Herman: ‘Shakespeare Sonnet using heat map data coded in Processing 2 to represent focus areas virtually by word size’.
BST Journal acknowledges financial support from the School of Arts Brunel University. An online search facility is available at EBSCO Publishing www.ebscohost.com.
There is no subscription charge for online access to the journal.