Research
Adjacent to the Live: paratextual augmentation of performance during the pandemic
Bernadette Cochrane and Frances Bonner
Perspectives
Virtual Dream Reality Check: A Case of Interactive Digital Theatre from the Royal Shakespeare Company
Gabrielle Lennox and Hannah Mason
A Shift Towards Digital and Participatory Performance Practice Post-Pandemic
Bianca Mastrominico and Elizabeth de Roza
Choreographic Encounters in XR: Reflections on Dancing in/Dancing with the Digital
Rebecca Weber and Joanna Cook
Performances
Shifting Perspectives: A cinematic dialogue about Synthetic Biology in a more-than-human world
Sarah Pini, Melissa Ramos and Jestin George
The Virtual is Material: Music Improvisation in Post-Digital Ecologies
Paul Stapleton, John Bowers and Adam Pultz Melbye
Reviews
Issue Archive
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Volume 24 • 2025
Volume 23 • 2024
Volume 22 • 2023
Volume 21 • 2022
Volume 20 • 2021
Volume 19 • 2020
Volume 18 • 2019
Volume 17 • 2018
Volume 16 • 2017
Volume 15 • 2016
Volume 14 • 2015
Volume 13 • 2014
Volume 12 • 2013
Volume 11 • 2012
Volume 10 • 2011 • 2
Volume 10 • 2011 • 1
Volume 9 • 2010 • 2
Volume 9 • 2010 • 1
Volume 8 • 2009
Volume 7 • 2008 • 2
Volume 7 • 2007 • 1
Volume 6 • 2007 • 2
Volume 6 • 2006 • 1
Volume 5 • 2005
Volume 4 • 2004
Volume 3 • 2003 • 2
Volume 3 • 2002 • 1
Volume 2 • 2002 • 2
Volume 2 • 2001 • 1
Volume 1 • 2001 • 2
Volume 1 • 2000 • 1