Research
From Digital Challenges to the Dystopia of Gamer (2009): Brain-Computer Interfaces as a New Frontier of Mind Control
Daniel Jimenez Batista and Paulina Warzecha
Reprogramming the Live Body: Digital Adaptation and Telepresent Spectatorship
Dr Bernadette Cochrane
Quietude in Performance: Audiovisual Performativity and Natural-Cultural Heritage in the Littoral Geopark of Viana do Castelo
Frederico Dinis and Ricardo Carvalhido
Using AI for the documentation of intangible cultural heritage
Gabriella Giannachi, Steve Benford and Lydia Farina
Stages of Survival: Reimagining Performance Spaces During COVID-19 in Nigerian Theatre
Muhammed Bolaji Olorunoje
The Funeral Carnival of Ta’ziyeh Play in Iraqi Digital Theatre Post-2003
Dr Majeed Mohammed Midhin, Samer Abid Rasheed, Dr Iman Hami and Dr Muslih Shwaysh Ahmed
Three Sisters: A Story from the Climate Future – Creating Community Resilience through Collective Listening Events
Dr Lena Šimić and James Marriott
Cyborg Eroticism as Feminist Speculative Fiction: All Is Full of Love (1999) in the Age of AI
Dr Burak Taşdizen and Dr Eser Selen
Between performance and archive: when the document is the artwork
Dr Fernando Calzadilla
Reviews
Perspectives
Performances
Issue Archive
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Volume 25 • 2026
Volume 24 • 2025
Volume 23 • 2024
Volume 22 • 2023
Volume 21 • 2022
Volume 20 • 2021
Volume 19 • 2020
Volume 18 • 2019
Volume 17 • 2018
Volume 16 • 2017
Volume 15 • 2016
Volume 14 • 2015
Volume 13 • 2014
Volume 12 • 2013
Volume 11 • 2012
Volume 10 • 2011 • 2
Volume 10 • 2011 • 1
Volume 9 • 2010 • 2
Volume 9 • 2010 • 1
Volume 8 • 2009
Volume 7 • 2008 • 2
Volume 7 • 2007 • 1
Volume 6 • 2007 • 2
Volume 6 • 2006 • 1
Volume 5 • 2005
Volume 4 • 2004
Volume 3 • 2003 • 2
Volume 3 • 2002 • 1
Volume 2 • 2002 • 2
Volume 2 • 2001 • 1
Volume 1 • 2001 • 2
Volume 1 • 2000 • 1