Articles
The Virtual is Material: Music Improvisation in Post-Digital Ecologies
Paul Stapleton, John Bowers and Adam Pultz Melbye
2022-02-14 Volume 21 • 2022 • Volume 21
A Shift Towards Digital and Participatory Performance Practice Post-Pandemic
Bianca Mastrominico and Elizabeth de Roza
2022-02-14 Volume 21 • 2022 • Volume 21
I AM (VR) : Tenuous Self (虛我) and the Liminal Body in Virtual Reality
Yiou Penelope Peng
2022-02-13 Volume 21 • 2022 • Volume 21
Virtual Dream Reality Check: A Case of Interactive Digital Theatre from the Royal Shakespeare Company
Gabrielle Lennox and Hannah Mason
2022-02-13 Volume 21 • 2022 • Volume 21
Returning to the Body: Somatic Sensing in Multi-Person Virtual Reality Technology
Lisa May Thomas
2022-02-13 Volume 21 • 2022 • Volume 21
The Dello Scompiglio Project and Camera #3 (Chamber 3)
Sue Broadhurst
2022-02-13 Volume 21 • 2022 • Volume 21
Adjacent to the Live: paratextual augmentation of performance during the pandemic
Bernadette Cochrane and Frances Bonner
2022-02-13 Volume 21 • 2022 • Volume 21
Face to Facelessness: Imagined Intimacies and Socially Distant Desires
Steve Fossey
2022-02-13 Volume 21 • 2022 • Volume 21