Articles

391 results

The Birth of Gesture. ‘I’m not dancing alone’
The Birth of Gesture. ‘I’m not dancing alone’

Claire Vionnet

2021-03-06 Volume 20 • 2021 • 83–96

Hybridity and Experimental Aesthetics in the Performances of Anne Imhof
Hybridity and Experimental Aesthetics in the Performances of Anne Imhof

Sue Broadhurst

2021-03-06 Volume 20 • 2021 • 1–13

Performing Gameplay – A Study of Video Game Performance Workshops
Performing Gameplay – A Study of Video Game Performance Workshops

Marleena Huuhka

2021-03-06 Volume 20 • 2021 • 14–24

Enhancing Artistic Practice through Integrating Strategies for Preservation into the Work
Enhancing Artistic Practice through Integrating Strategies for Preservation into the Work

Julie Watkins

2021-03-06 Volume 20 • 2021 • 97–105

Affectual Dramaturgy for Augmented Reality Immersive Heritage Performance
Affectual Dramaturgy for Augmented Reality Immersive Heritage Performance

Mariza Dima and Holly Maples

2021-03-06 Volume 20 • 2021 • 25–36

Playfulness, Realism and Authenticity in Cultural Presence: A Case Study of Virtual Heritage Players
Playfulness, Realism and Authenticity in Cultural Presence: A Case Study of Virtual Heritage Players

Xinyang Zhao

2021-03-06 Volume 20 • 2021 • 106–115

Metamorphosis of the Stage: Elsinore and The Ring by Robert Lepage
Metamorphosis of the Stage: Elsinore and The Ring by Robert Lepage

Anna Maria Monteverdi

2021-03-06 Volume 20 • 2021 • 37–50

It’s Big Mouth!
It’s Big Mouth!

Sophie Swoffer

2021-03-06 Volume 20 • 2021 • 116–118

The Iconography of Digital Windows—Perspectives on the Pervasive Impact of the Zoom Digital Window on Embodied Creative Practice in 2020
The Iconography of Digital Windows—Perspectives on the Pervasive Impact of the Zoom Digital Window on Embodied Creative Practice in 2020

Jeremy Neideck, Shane Pike, Kathryn Kelly and Kat Henry

2021-03-06 Volume 20 • 2021 • 51–60

Production of Iranian Architectural Assets for Representation in Museums: Theme of Museum-Based Digital Twin
Production of Iranian Architectural Assets for Representation in Museums: Theme of Museum-Based Digital Twin

Hossein Parsinejad, Insook Choi and Mohammad Yari

2021-03-06 Volume 20 • 2021 • 61–74

Disintegrated Bodies – From Cyborg Microcelebrities to Capital Flow: A Post-Phenomenological Investigation of Disembodiment
Disintegrated Bodies – From Cyborg Microcelebrities to Capital Flow: A Post-Phenomenological Investigation of Disembodiment

Riad Salameh

2021-03-06 Volume 20 • 2021 • 75–82

Theatre Heterotopias: Sea on Stage
Theatre Heterotopias: Sea on Stage

Natalie Katsou

2020-02-20 Volume 19 • 2020 • 1–16

Playing with Virtual Realities: Navigating Immersion within Diverse Environments (Artist-Led Perspective)
Playing with Virtual Realities: Navigating Immersion within Diverse Environments (Artist-Led Perspective)

Einav Katan-Schmid

2020-02-20 Volume 19 • 2020 • 224–238

6th International Conference on Motion and Computing
6th International Conference on Motion and Computing

Kelly Rae Bowker

2020-02-20 Volume 19 • 2020 • 17–21

Per-forming the Sense of Touch: A Spatio-Temporal Embodied Technology of Resistance
Per-forming the Sense of Touch: A Spatio-Temporal Embodied Technology of Resistance

Maud Lannen

2020-02-20 Volume 19 • 2020 • 22–55

Interesting Times? Venice Biennale and Berlin Art Week 2019
Interesting Times? Venice Biennale and Berlin Art Week 2019

Neil Harvey

2020-02-20 Volume 19 • 2020 • 239–254

Choreography of Sonic Chopsticks and Intervention of Digital Technology with Dancing Bodies
Choreography of Sonic Chopsticks and Intervention of Digital Technology with Dancing Bodies

Zhi Xu

2020-02-20 Volume 19 • 2020 • 56–75

Playing the Zombie: Participation and Interpassivity in Gothic XR
Playing the Zombie: Participation and Interpassivity in Gothic XR

Sarah O’Brien

2020-02-20 Volume 19 • 2020 • 76–96

Guidebook for Mirror Worlds. Poetics of Transparency in Augmented Reality
Guidebook for Mirror Worlds. Poetics of Transparency in Augmented Reality

Federico Biggio

2020-02-20 Volume 19 • 2020 • 97–108

Performance without Actors: The Theatrical Docu-Fiction
Performance without Actors: The Theatrical Docu-Fiction

Ester Fuoco

2020-02-20 Volume 19 • 2020 • 109–124

The Encounter with the Real: What Can Complicite’s Theatre Performance The Encounter Teach Us about the Future of VR Narratives?
The Encounter with the Real: What Can Complicite’s Theatre Performance The Encounter Teach Us about the Future of VR Narratives?

Fahrudin Salihbegovic

2020-02-20 Volume 19 • 2020 • 125–152

‘The Biscuit Town’: Digital Practice, Spatiality and Discoverability in Reading’s Heritage Sector
‘The Biscuit Town’: Digital Practice, Spatiality and Discoverability in Reading’s Heritage Sector

Teresa Murjas

2020-02-20 Volume 19 • 2020 • 153–173

Screened Live: Technologically Reconfiguring Notions of the Author
Screened Live: Technologically Reconfiguring Notions of the Author

Bernadette Cochrane

2020-02-20 Volume 19 • 2020 • 174–192

Subjugating Other Cultural Narratives in the Construction of Immersive Environments
Subjugating Other Cultural Narratives in the Construction of Immersive Environments

Olu Taiwo

2020-02-20 Volume 19 • 2020 • 193–202

A Santa with a Butt Plug: Paul McCarthy and the Obliterating Violence of Positivity
A Santa with a Butt Plug: Paul McCarthy and the Obliterating Violence of Positivity

Natasha Lushetich

2020-02-20 Volume 19 • 2020 • 203–223