Articles

401 results

Live Art and Subversion
Live Art and Subversion

Rosie Cooper

2003-01-01 Volume 3 • 2003 • 2

Performance art and digital bodies (Corpos Informáticos)
Performance art and digital bodies (Corpos Informáticos)

Maria Beatriz De Medeiros

2003-01-01 Volume 3 • 2003 • 2

Deleuzian sensation and unbounded consciousness in Anna & Corrina Bonshek’s Reverie I (2002)
Deleuzian sensation and unbounded consciousness in Anna & Corrina Bonshek’s Reverie I (2002)

Corrina Bonshek

2003-01-01 Volume 3 • 2003 • 2

Marking and crossing borders: bodies, touch and contact in cyberspace
Marking and crossing borders: bodies, touch and contact in cyberspace

Barbara Becker

2003-01-01 Volume 3 • 2003 • 2

Editorial
Editorial

Editorial Team

2003-01-01 Volume 3 • 2003 • 2

The Cinema of Robert Lepage: The Poetics of Memory
The Cinema of Robert Lepage: The Poetics of Memory

Aleksandar Dundjerovic

2003-01-01 Volume 3 • 2003 • 2

Futurism e-visited
Futurism e-visited

Steve Dixon

2003-01-01 Volume 3 • 2003 • 2

Voicing Statues : The Sound Art of Juha Valkeapää
Voicing Statues : The Sound Art of Juha Valkeapää

Dr Allan Harkness

2003-01-01 Volume 3 • 2003 • 2

Ron Athey, A.I.D.S. and the Politics of Pain
Ron Athey, A.I.D.S. and the Politics of Pain

Mary Richards

2003-01-01 Volume 3 • 2003 • 2

A Response to the Review of Mirror of Consciousness: Art Creativity and Veda by Robert Pepperell of the Posthuman Laboratory for Arts Research[1]
A Response to the Review of Mirror of Consciousness: Art Creativity and Veda by Robert Pepperell of the Posthuman Laboratory for Arts Research[1]

Anna Bonshek

2003-01-01 Volume 3 • 2003 • 2

*nikikon*
*nikikon*

Niki Konstantinou

2003-01-01 Volume 3 • 2003 • 2

A Précis of Solo Works
A Précis of Solo Works

Kate Pendry

2003-01-01 Volume 3 • 2003 • 2

Practical creativity in process and live performance; Visual, Auditory and Kinesthetic elements of creative environments
Practical creativity in process and live performance; Visual, Auditory and Kinesthetic elements of creative environments

John C. Whelan

2003-01-01 Volume 3 • 2003 • 2

Digital Dance Theatre: The Marriage of Computers, Choreography and Techno/Human Reactivity
Digital Dance Theatre: The Marriage of Computers, Choreography and Techno/Human Reactivity

Kathryn Farley

2002-07-01 Volume 3 • 2002 • 1

Internet Performances as Site-Specific Art
Internet Performances as Site-Specific Art

Julia Glesner

2002-07-01 Volume 3 • 2002 • 1

Editorial
Editorial

Editorial Team

2002-07-01 Volume 3 • 2002 • 1

Metamorphoseswritten and directed by Mary Zimmerman
Metamorphoses
written and directed by Mary Zimmerman

Jack Goodstein

2002-07-01 Volume 2 • 2002 • 2

Getting There is Being Here and Now - notes from an improvised performance
Getting There is Being Here and Now - notes from an improvised performance

Elizabeth Mackinnon

2002-07-01 Volume 3 • 2002 • 1

How I Work
How I Work

Julia Lee Barclay

2002-07-01 Volume 3 • 2002 • 1

Lava Lounge – an adventure of the senses
Lava Lounge – an adventure of the senses

Sigrid Merx

2002-07-01 Volume 3 • 2002 • 1

1003 Hearts or Fragments from a Don Juan Catalogue - Mozgó Ház Társulás
1003 Hearts or Fragments from a Don Juan Catalogue - Mozgó Ház Társulás

Zoltán Imre

2002-07-01 Volume 3 • 2002 • 1

Bodies in Flight - A Personalised Context
Bodies in Flight - A Personalised Context

Sara Giddens

2002-07-01 Volume 2 • 2002 • 2

The ‘Ubu Reconstructed’ project: Reconstructing text and culture
The ‘Ubu Reconstructed’ project: Reconstructing text and culture

Dr. Aleksandar Dundjerovic

2002-06-01 Volume 3 • 2002 • 1

Technological Process
Technological Process

Sanjoy Roy

2002-06-01 Volume 2 • 2002 • 2

Non-Repeating Loop Performance & Installation, 2000. Rijksakademie,Amsterdam. Duration: 3 hours
Non-Repeating Loop Performance & Installation, 2000. Rijksakademie,Amsterdam. Duration: 3 hours

Monali Meher

2002-06-01 Volume 3 • 2002 • 1