Articles

401 results

From Ephemeral to Digital: A Phenomenological Study of Screened and Live Contemporary Dance Performance
From Ephemeral to Digital: A Phenomenological Study of Screened and Live Contemporary Dance Performance

Dara Milovanovic

Volume 22 • 2023 • 128–145

Vision Freed from Frozen Cyclops: Interacting with Visual Media, an Artistic, Critical and Technical Practice Exploring Spatial Depth
Vision Freed from Frozen Cyclops: Interacting with Visual Media, an Artistic, Critical and Technical Practice Exploring Spatial Depth

Julie Watkins

Volume 22 • 2023 • 168–189

A Process and a Frame: Ballet on Instagram and a Sense of the World

Marjana Krajac

Volume 22 • 2023 • 82–99

INTER/her: An immersive journey inside the female body - Creative Processes, Reflections and Revelations
INTER/her: An immersive journey inside the female body - Creative Processes, Reflections and Revelations

Camille Carol Baker

Volume 22 • 2023 • 1–19

Active Spectatorship and Co-creation in the Digital Making of Flanker Origami
Active Spectatorship and Co-creation in the Digital Making of Flanker Origami

Bianca Mastrominico

Volume 22 • 2023 • 100–127

Rethinking the Rings: topographical spaces and digital bodies in Circus Oz’s inland tours.
Rethinking the Rings: topographical spaces and digital bodies in Circus Oz’s inland tours.

Andrew Fuhrmann, Rachel Fensham and Kirsten Stevens

Volume 22 • 2023 • 146–167

Scripting, space design and user movement in room-scale VR: Storytelling strategies to direct gesture and gaze.
Scripting, space design and user movement in room-scale VR: Storytelling strategies to direct gesture and gaze.

Joan Soler-Adillon

Volume 22 • 2023 • 228–237

Iraqi Silent Theatre: The Body and Sound in Anas Abdel-Samad’s A Dream in Baghdad (2006)

Majeed Mohammed Midhin

Volume 22 • 2023 • 220–227

Aftermaths
Aftermaths

Mary Elizabeth Anderson

Volume 22 • 2023 • 238–272

With the Best of Intentions: Venice Art Biennale 2022
With the Best of Intentions: Venice Art Biennale 2022

Neil Morris Harvey

Volume 22 • 2023 • 276–284

Technoparticipation: Scrapbooks, stories and secrets
Technoparticipation: Scrapbooks, stories and secrets

Lee Campbell

Volume 22 • 2023 • 199–219

Lost Origin and Beyond. Towards a design framework for mixed reality theatrical experiences
Lost Origin and Beyond. Towards a design framework for mixed reality theatrical experiences

Gabriella Giannachi

Volume 22 • 2023 • 40–64

Thread/Warp

Jenny Logico Cruz and Blonski Campos Cruz

Volume 21 • 2022

Affective Movement in Robotic Art: Alternatives to the ‘Interiority Paradigm’ in Social Robotics

Irene Alcubilla Troughton

Volume 21 • 2022

Choreographic Encounters in XR: Reflections on Dancing in/Dancing with the Digital

Rebecca Weber and Joanna Cook

Volume 21 • 2022

Teaching Writing for Performance Online: Dynamic Approaches to the Online Workshop

Karen Morash

Volume 21 • 2022

Runnin' to Grace

Rashida K. Braggs

Volume 21 • 2022

The Virtual is Material: Music Improvisation in Post-Digital Ecologies

Paul Stapleton, John Bowers and Adam Pultz Melbye

Volume 21 • 2022

A Shift Towards Digital and Participatory Performance Practice Post-Pandemic

Bianca Mastrominico and Elizabeth de Roza

Volume 21 • 2022

Narratives of the future: immersive stories / indigenous roots

Elizabeth Swift

Volume 21 • 2022

Zoom: A case study

Tyrone Grima

Volume 21 • 2022

Virtual Dream Reality Check: A Case of Interactive Digital Theatre from the Royal Shakespeare Company

Gabrielle Lennox and Hannah Mason

Volume 21 • 2022

Returning to the Body: Somatic Sensing in Multi-Person Virtual Reality Technology

Lisa May Thomas

Volume 21 • 2022

The Dello Scompiglio Project and Camera #3 (Chamber 3)

Sue Broadhurst

Volume 21 • 2022

Venice Architecture Biennale 2021: The Mystery of the Disappearing Buildings

Neil Morris Harvey

Volume 21 • 2022