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Articles

With the Best of Intentions: Venice Art Biennale 2022

Lost Origin and Beyond. Towards a design framework for mixed reality theatrical experiences

Thread/Warp

Affective Movement in Robotic Art: Alternatives to the ‘Interiority Paradigm’ in Social Robotics

Choreographic Encounters in XR: Reflections on Dancing in/Dancing with the Digital

Teaching Writing for Performance Online: Dynamic Approaches to the Online Workshop

A Shift Towards Digital and Participatory Performance Practice Post-Pandemic

The Virtual is Material: Music Improvisation in Post-Digital Ecologies

Runnin' to Grace

DEEP FLOW: an embodied materiality of dance, technology, and bodily experience

Zoom: A case study

Returning to the Body: Somatic Sensing in Multi-Person Virtual Reality Technology

Literature Review - Dani Ploeger, Deserted Devices and Wasted Fences: Everyday Technologies in Extreme Circumstances

The Dello Scompiglio Project and Camera #3 (Chamber 3)

Face to Facelessness: Imagined Intimacies and Socially Distant Desires

Embodying Ubuntu, through the Physical Journal as an antidote to the effects of the Anthropocene.

Virtual Dream Reality Check: A Case of Interactive Digital Theatre from the Royal Shakespeare Company

Narratives of the future: immersive stories / indigenous roots

David Quayola: Digital Art Need Not Bore

‘The Camera Chooses the Star’: Trans-medial Ventriloquism in Punchdrunk’s The Drowned Man

Shifting Perspectives: A cinematic dialogue about Synthetic Biology in a more-than-human world

I AM (VR) : Tenuous Self (虛我) and the Liminal Body in Virtual Reality

Venice Architecture Biennale 2021: The Mystery of the Disappearing Buildings

Adjacent to the Live: paratextual augmentation of performance during the pandemic

As Uncanny As a Body