Articles

391 results

Structuring online learning collectivities
Structuring online learning collectivities

Olga Ioannou

2015-01-01 Volume 14 • 2015

Ominous: Playfulness and emergence in a performance for biophysical music
Ominous: Playfulness and emergence in a performance for biophysical music

Marco Donnarumma

2015-01-01 Volume 14 • 2015

Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices
Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices

Jillian Wallis

2015-01-01 Volume 14 • 2015

Editorial
Editorial

Editorial Team

2015-01-01 Volume 14 • 2015

Me and My Shadow (2012)
Me and My Shadow (2012)

Kelly Preece

2015-01-01 Volume 14 • 2015

Long Form Improvisation, Feedback Loops and Cybernetics
Long Form Improvisation, Feedback Loops and Cybernetics

Glenn Noble and Daren Pickles

2015-01-01 Volume 14 • 2015

Moving or Morphing Target? Hypermedial Hybrids, Diller+Scofidio-Style
Moving or Morphing Target? Hypermedial Hybrids, Diller+Scofidio-Style

Christophe Collard

2015-01-01 Volume 14 • 2015

Body-movement-interaction: Perception and consciousness in interactive digital 3-dimensional audio-visual installations
Body-movement-interaction: Perception and consciousness in interactive digital 3-dimensional audio-visual installations

Ken Byers

2015-01-01 Volume 14 • 2015

Beyond Narrative: Sound design as dramaturgy in contemporary performance
Beyond Narrative: Sound design as dramaturgy in contemporary performance

Rea Dennis and Magda Miranda

2015-01-01 Volume 14 • 2015

Green: Exploring the aestheticized use of chroma-key techniques and technologies in two intermedial productions
Green: Exploring the aestheticized use of chroma-key techniques and technologies in two intermedial productions

Matt Delbridge and Lee McGowan

2015-01-01 Volume 14 • 2015

‘Bangers to Cancer’: Social media, charity fundraising and objectification
‘Bangers to Cancer’: Social media, charity fundraising and objectification

Emily Underwood-Lee

2015-01-01 Volume 14 • 2015

Matter Mattering: ‘Intra-activity’ in live media performance
Matter Mattering: ‘Intra-activity’ in live media performance

Jo Scott

2015-01-01 Volume 14 • 2015

A Tale of Two Cities: Investigating the process of set design in community theatre in South Africa and Zimbabwe using Intuba Arts Development (Durban) and Bambelela Arts Ensemble (Bulawayo) as case studies
A Tale of Two Cities: Investigating the process of set design in community theatre in South Africa and Zimbabwe using Intuba Arts Development (Durban) and Bambelela Arts Ensemble (Bulawayo) as case studies

Nkululeko Sibanda

2015-01-01 Volume 14 • 2015

Eerie Prostheses and Kinky Strap-Ons: Mori’s uncanny valley and ableist ideology
Eerie Prostheses and Kinky Strap-Ons: Mori’s uncanny valley and ableist ideology

Daniël Ploeger

2014-01-01 Volume 13 • 2014

Transmedia Choreography: Integrating Multimodal Video Annotation in the Creative Process of a Social Robotics Performance Piece
Transmedia Choreography: Integrating Multimodal Video Annotation in the Creative Process of a Social Robotics Performance Piece

Stephan Jürgens

2014-01-01 Volume 13 • 2014

Facebook as a space for agency: negotiations by users and non-users
Facebook as a space for agency: negotiations by users and non-users

Minna Saariketo

2014-01-01 Volume 13 • 2014

Editorial
Editorial

Editorial Team

2014-01-01 Volume 13 • 2014

Taking care of bodies ~ tracing gestures betwixt and between live-digital dancing
Taking care of bodies ~ tracing gestures betwixt and between live-digital dancing

Kerry Francksen

2014-01-01 Volume 13 • 2014

Iconoclasm in Visual Music
Iconoclasm in Visual Music

Emmanouil Kanellos

2014-01-01 Volume 13 • 2014

Searching For Virtual Venus in Life Simulation Games
Searching For Virtual Venus in Life Simulation Games

Shaifali Gautam

2014-01-01 Volume 13 • 2014

Dear Mama - An Artistic Statement
Dear Mama - An Artistic Statement

Kendra Jones

2014-01-01 Volume 13 • 2014

Incorporating Creative Technologies: A choreography for the ears
Incorporating Creative Technologies: A choreography for the ears

Becca Wood

2014-01-01 Volume 13 • 2014

Re-conceptualizing Street Arts in a Digital Age: Knowing the world through embodied cognition and social media
Re-conceptualizing Street Arts in a Digital Age: Knowing the world through embodied cognition and social media

Olu Taiwo

2014-01-01 Volume 13 • 2014

Performance Map: A digital mapping of the global performance art network from 1975-present and beyond
Performance Map: A digital mapping of the global performance art network from 1975-present and beyond

Rebecca Clunn and Kerstin Haustein

2014-01-01 Volume 13 • 2014

Atmospheric video blogs on infertility
Atmospheric video blogs on infertility

Nathalie Soelmark

2014-01-01 Volume 13 • 2014