Articles

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  Papers

  Solitary Place: Scenodynamic Architecture and The Avant Garde

  Sozita   Goudouna

  • PDF (EN)

  01 Jul 2011

  10 ( 2 )
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  Papers

  ‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice

  Stan   Wijnans

  • PDF (EN)

  01 Jul 2011

  10 ( 2 )
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  Papers

  Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation

  01 Jul 2011

  10 ( 1 )
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  Papers

  The Song Remains … The Same? Three Case Studies of Issues of Digital Preservation in Second Life Performance Practices

  Dennis   Moser

  • PDF (EN)

  01 Jul 2011

  10 ( 1 )
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  Papers

  Binary Coded Performance

  
  

  Nicolas   Salazar-Sutil

  • PDF (EN)

  01 Jun 2011

  10 ( 2 )
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  Perspectives

  ‘Seeding a Lead’: Exploring the Live Theatre Industry’s Reception of a Pre-Market Canadian Display Technology

  Gerd   Hauck ,  Jill Tomasson   Goodwin ,  David   Goodwin ,  Paul   Guild ,  Doug   Sparkes

  • PDF (EN)

  01 Jun 2011

  10 ( 2 )
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  Editorial

  Editorial

  
  

  Editorial   Team

  01 Jan 2011

  11
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  Editorial

  Editorial

  
  

  Editorial   Team

  01 Jan 2011

  10 ( 1 )
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  Papers

  White Body: animating feminine pleasure

  
  

  Kayla   Parker

  • PDF (EN)

  01 Jan 2011

  10 ( 2 )
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  Papers

  Embodied Landscape: the place of geography in the actor’s creation of character

  Nicholas   Hope

  • PDF (EN)

  01 Jan 2011

  10 ( 2 )
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  Papers

  Sensing Shared Places: Designing a mobile audio streaming environment

  Rui   Chaves ,  Pedro   Rebelo

  • PDF (EN)

  01 Jan 2011

  10 ( 1 )
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  Papers

  Algorithms for Social Curation: Designing and evaluating an embodied and subjectively situated visual art Interpretation and navigation system (VAINS)

  Eleanor   Dare ,  Lee   Weinberg

  • PDF (EN)

  01 Jan 2011

  10 ( 1 )
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  Papers

  Virtual infants in Zoo Indigo’s Under the Covers

  Rosie   Garton ,  Ildiko   Rippel

  • PDF (EN)

  01 Jan 2011

  10 ( 1 )
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  Papers

  Sensual Technologies: Embodied experience and visualisation of scientific data

  Michael   Hohl

  • PDF (EN)

  01 Jan 2011

  10 ( 1 )
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  Papers

  Performing Sleep/Wake Cycles: An Arts-Science Dialogue through Embodied Technologies

  Anne   Niemetz ,  Carol   Brown ,  Philippa   Gander

  • PDF (EN)

  01 Jan 2011

  10 ( 1 )
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  Papers

  Digital Parts / Modular Doubles: fragmenting the ‘digital double’

  Daniël   Ploeger

  • PDF (EN)

  01 Jan 2011

  10 ( 1 )
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  Papers

  e_motions in process

  
  

  Barbara   Rauch

  • PDF (EN)

  01 Jan 2011

  10 ( 1 )
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  Papers

  Listening to the Replayed Touch: A Strata-aural Manifesto

  Taina   Riikonen ,  Antti Sakari   Saario

  • PDF (EN)

  01 Jan 2011

  10 ( 1 )
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  Papers

  The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples

  Claudia   Robles

  • PDF (EN)

  01 Jan 2011

  10 ( 1 )
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  Papers

  Between Body and Sound: listening to the digitized body

  Stacey   Sewell

  • PDF (EN)

  01 Jan 2011

  10 ( 1 )
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  Papers

  An Avatar’s Broken Memory

  
  

  Olu   Taiwo

  • PDF (EN)

  01 Jan 2011

  10 ( 1 )
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  Papers

  Three Interactive Scenes of The Crystal Cabinet

  
  

  Åsa   Unander-Scharin

  • PDF (EN)

  01 Jan 2011

  10 ( 1 )
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  Papers

  Illusionistic Environments – Digital Spaces

  
  

  Emmanouela   Vogiatzaki – Krukowski ,  Manthos   Santorineos

  • PDF (EN)

  01 Jan 2011

  10 ( 1 )
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  Reviews

  Rationalizing Theatre in the Age of Technology: A Review of Paul Woodruff’s The Necessity of Theater: The Art of Watching and Being Watched

  01 Jul 2010

  9 ( 2 )
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  Reviews

  Critiquing “Whiteness:” Yasmina Reza’s Play Art at the East West Players

  01 Jul 2010

  9 ( 2 )