Articles

391 results

The Texas Sharpshooter Fallacy
The Texas Sharpshooter Fallacy

Clare Hammoor and Evelyn Walker

2017-01-01 Volume 16 • 2017

Editorial
Editorial

Editorial Team

2017-01-01 Volume 16 • 2017

Our Machines
Our Machines

Vesna Petresin

2017-01-01 Volume 16 • 2017

Performing Landscape – Swinging Together or Playing with Projections
Performing Landscape – Swinging Together or Playing with Projections

Annette Arlander

2017-01-01 Volume 16 • 2017

SIGHT (UN)SPECIFIC: Performance as research predicated upon deploying acts of visual negation
SIGHT (UN)SPECIFIC: Performance as research predicated upon deploying acts of visual negation

Lee Campbell, Adrian Lee and Carali Mccall

2017-01-01 Volume 16 • 2017

Love Letters – Wearing Stories Told: A performance-technology provocation for interactive storytelling
Love Letters – Wearing Stories Told: A performance-technology provocation for interactive storytelling

Panayiota A. Demetriou, Odysseas Pappas and Stathis Kampylis

2017-01-01 Volume 16 • 2017

Harnessing Quantitative Eye Tracking Data to Create Art: Interdisciplinary Collaboration and Data Visualization
Harnessing Quantitative Eye Tracking Data to Create Art: Interdisciplinary Collaboration and Data Visualization

Christian Riegel, Katherine M. Robinson and Ashley Herman

2017-01-01 Volume 16 • 2017

Urban Butoh: A performance philosophy in an age of digital acceleration
Urban Butoh: A performance philosophy in an age of digital acceleration

Olu Taiwo

2017-01-01 Volume 16 • 2017

Synaesthetic Resonances in the Intermedial Soundtrack of Imitating the Dog’s Tales from The Bar of Lost Souls
Synaesthetic Resonances in the Intermedial Soundtrack of Imitating the Dog’s Tales from The Bar of Lost Souls

Piotr Woycicki

2017-01-01 Volume 16 • 2017

Animate Shadows: Exploring synaesthesia and kinesthesia within digitised dance
Animate Shadows: Exploring synaesthesia and kinesthesia within digitised dance

Rachel Sweeney

2017-01-01 Volume 16 • 2017

7 Cities in 7 Minutes: A feminine paradigm of sensory art
7 Cities in 7 Minutes: A feminine paradigm of sensory art

Alda Terracciano

2017-01-01 Volume 16 • 2017

Lie Back and Take It: BDSM, Biomedicine and the Hospital Bed in the work of Bob Flanagan and Sheree Rose
Lie Back and Take It: BDSM, Biomedicine and the Hospital Bed in the work of Bob Flanagan and Sheree Rose

Martin O’brien

2016-01-01 Volume 15 • 2016

Editorial
Editorial

Editorial Team

2016-01-01 Volume 15 • 2016

Body as Play
Body as Play

Licia Calvi, Marloeke Van Der Vlugt and Sofie Ronduite

2016-01-01 Volume 15 • 2016

The Viral Institute of Performance Architecture
The Viral Institute of Performance Architecture

Kyveli Anastasiadi, Aliki Kylika and Alex Schweder

2016-01-01 Volume 15 • 2016

Animacy, Motion, Emotion and Empathy in Visual Music: Enhancing appreciation of abstracted animation through wordless song
Animacy, Motion, Emotion and Empathy in Visual Music: Enhancing appreciation of abstracted animation through wordless song

Julie Watkins

2016-01-01 Volume 15 • 2016

[Schm]alchemy: Magical sites and mischievous objects – episodes in a performative inquiry into the transformative and disruptive potency of stuff
[Schm]alchemy: Magical sites and mischievous objects – episodes in a performative inquiry into the transformative and disruptive potency of stuff

Gillian Whiteley

2016-01-01 Volume 15 • 2016

Perception of Moral Values in Yoruba Home Video Film: An analysis of Ayitale
Perception of Moral Values in Yoruba Home Video Film: An analysis of Ayitale

Nasir Taofiq Olaide

2016-01-01 Volume 15 • 2016

Sonic technologies of Postmodernity and the grain of the voice in Robert Lepage’s Lipsynch1
Sonic technologies of Postmodernity and the grain of the voice in Robert Lepage’s Lipsynch1

Glenn D’Cruz

2016-01-01 Volume 15 • 2016

Monsters and Machines: The avatar performance as the carnivalesque of the digital age
Monsters and Machines: The avatar performance as the carnivalesque of the digital age

Aikaterini Antonopoulou

2016-01-01 Volume 15 • 2016

TECHNOPARTICIPATION: Intermeshing performative pedagogy and interruption
TECHNOPARTICIPATION: Intermeshing performative pedagogy and interruption

Lee Campbell

2016-01-01 Volume 15 • 2016

Taxidermy, Documentation, and the ‘Liveness’ of Death
Taxidermy, Documentation, and the ‘Liveness’ of Death

Francis Marion Moseley Wilson

2016-01-01 Volume 15 • 2016

Mobile Digital Performance Lab explores ‘States of Mind’
Mobile Digital Performance Lab explores ‘States of Mind’

Olu Taiwo

2016-01-01 Volume 15 • 2016

Ominous: Playfulness and emergence in a performance for biophysical music
Ominous: Playfulness and emergence in a performance for biophysical music

Marco Donnarumma

2015-01-01 Volume 14 • 2015

Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices
Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices

Jillian Wallis

2015-01-01 Volume 14 • 2015