Articles
391 results
Virtual Reality and Choreographic Practice: The Potential for New Creative Methods
Rosemary E. Cisneros, Karen Wood, Sarah Whatley, Michele Buccoli, Massimiliano Zanoni and Augusto Sarti
2019-03-12 Volume 18 • 2019 • 1–32
Forming a Sonic Identity through the Integration of Transculturality and Technology
Nathan Riki Thomson and Otso Lähdeoja
2019-03-12 Volume 18 • 2019 • 33–60
The Theatre of the Selfie: Fictive Practices of the Instagram Artist
Sara Sylvester
2019-03-12 Volume 18 • 2019 • 61–107
Performing the Electrical: Ecologies of the Imaginary and Fem-technologies
Geneva Foster Gluck
2019-03-12 Volume 18 • 2019 • 108–125
Visceral Dramaturgies: Curating Sensation in Immersive Art
Rosemary Klich
2019-03-12 Volume 18 • 2019 • 175–197
Diversity and Inclusivity in the Age of Wearables: A Buzzword, a Myth, an Uncertain Reality
Anastasios Maragiannis and Rain Ashford
2019-03-12 Volume 18 • 2019 • 198–214
Bites of Passage: Thresholds, Permeability and Hand-Fed Food for Thought
Steve Fossey
2019-03-12 Volume 18 • 2019 • 215–234
Tide Times: Responding to Cramond
Laura Bissell and Timothy Cooper
2019-03-12 Volume 18 • 2019 • 235–266
Soi Moi: The Techno-Soma-Aesthetics of a Dance for the iPhone
Paula Varanda
2019-03-12 Volume 18 • 2019 • 267-296
Perspectives 2019
Dani Ploeger, Catherine Seago and Lizzie Sykes
2019-03-12 Volume 18 • 2019 • 297-320
Dune Dream – Self-imaging, Trans-corporeality and the Environment
Annette Arlander
2018-04-04 Volume 17 • 2018 • 3-21
Performances
Bryce Hope, Imogene Newland, Angela Main, Caroline Rumley, Laurel Jay Carpenter, Philippe Wozniak, Lucie Sykes and Michael Maurissens
2018-04-04 Volume 17 • 2018 • 131-152
Visual Trends in Contemporary Visual Music Practice
Emmanouil Kanellos
2018-04-04 Volume 17 • 2018 • 22-33
Music for Brainwaves: Embodiment of Sound, Space and EEG Data
Luca Forcucci
2018-04-04 Volume 17 • 2018 • 76-94
A Tale of Three Cities 2017: Art Basel, Venice Biennale, Frieze London
Neil Harvey and Susan Broadhurst
2018-04-04 Volume 17 • 2018 • 153-176
Hybridised Performance: Disruption and Deferment in Wagner’s Tristan and Isolde
Susan Broadhurst
2018-04-04 Volume 17 • 2018 • 95-117
Perspectives
Dani Ploeger, Mary Anderson, Richard Haley, Billicia Charnelle Hines and Misha Penton
2018-04-04 Volume 17 • 2018 • 177-218
Nu Shu GPS: 25°21’00.5N, 111°27’17.7E—An Interdisciplinary Cooperation between Dance, Calligraphy, and the Body in Multimedia Performance
Yun-Ju Chen and Fiona Hui-Wen Cheng
2018-04-04 Volume 17 • 2018 • 118-130
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