Volume 10 -

Issue 1 - 2011

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Editorial

Editorial

Editorial Team
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01 Jan 2011

10(1)

Papers

Sensing Shared Places: Designing a mobile audio streaming environment

Rui Chaves, Pedro Rebelo
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01 Jan 2011

10(1)
Algorithms for Social Curation: Designing and evaluating an embodied and subjectively situated visual art Interpretation and navigation system (VAINS)

Eleanor Dare, Lee Weinberg
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01 Jan 2011

10(1)
Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation

Andrea Davidson
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01 Jul 2011

10(1)
Virtual infants in Zoo Indigo’s Under the Covers

Rosie Garton, Ildiko Rippel
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01 Jan 2011

10(1)
Sensual Technologies: Embodied experience and visualisation of scientific data

Michael Hohl
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01 Jan 2011

10(1)
The Song Remains … The Same? Three Case Studies of Issues of Digital Preservation in Second Life Performance Practices

Dennis Moser
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01 Jul 2011

10(1)
Performing Sleep/Wake Cycles: An Arts-Science Dialogue through Embodied Technologies

Anne Niemetz, Carol Brown, Philippa Gander
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01 Jan 2011

10(1)
Digital Parts / Modular Doubles: fragmenting the ‘digital double’

Daniël Ploeger
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01 Jan 2011

10(1)
e_motions in process

Barbara Rauch
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01 Jan 2011

10(1)
Listening to the Replayed Touch: A Strata-aural Manifesto

Taina Riikonen, Antti Sakari Saario
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01 Jan 2011

10(1)
The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples

Claudia Robles
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01 Jan 2011

10(1)
Between Body and Sound: listening to the digitized body

Stacey Sewell
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01 Jan 2011

10(1)
An Avatar’s Broken Memory

Olu Taiwo
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01 Jan 2011

10(1)
Three Interactive Scenes of The Crystal Cabinet

Åsa Unander-Scharin
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01 Jan 2011

10(1)
Illusionistic Environments – Digital Spaces

Emmanouela Vogiatzaki – Krukowski, Manthos Santorineos
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01 Jan 2011

10(1)

Volume 10 -

Issue 1 - 2011

Editorial

Editorial

Papers

Sensing Shared Places: Designing a mobile audio streaming environment

Algorithms for Social Curation: Designing and evaluating an embodied and subjectively situated visual art Interpretation and navigation system (VAINS)

Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation

Virtual infants in Zoo Indigo’s Under the Covers

Sensual Technologies: Embodied experience and visualisation of scientific data

The Song Remains … The Same? Three Case Studies of Issues of Digital Preservation in Second Life Performance Practices

Performing Sleep/Wake Cycles: An Arts-Science Dialogue through Embodied Technologies

Digital Parts / Modular Doubles: fragmenting the ‘digital double’

e_motions in process

Listening to the Replayed Touch: A Strata-aural Manifesto

The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples

Between Body and Sound: listening to the digitized body

An Avatar’s Broken Memory

Three Interactive Scenes of The Crystal Cabinet

Illusionistic Environments – Digital Spaces

Issue Archive

Volume 20 - 2021

Volume 19 - 2020

Volume 18 - 2019

Volume 17 - 2018

Volume 16 - 2017

Volume 15 - 2016

Volume 14 - 2015

Volume 13 - 2014

Volume 12 - 2013

Volume 11 - 2012

Volume 10 - Issue 2 - 2011

Volume 10 - Issue 1 - 2011

Volume 9 - Issue 2 - 2010

Volume 9 - Issue 1 - 2010

Volume 8 - Issue 1 - 2009

Volume 7 - Issue 2 - 2008

Volume 7 - Issue 1 - 2007

Volume 6 - Issue 2 - 2007

Volume 6 - Issue 1 - 2006

Volume 5 - Issue 1 - 2005

Volume 4 - Issue 1 - 2004

Volume 3 - Issue 2 - 2003

Volume 3 - Issue 1 - 2002

Volume 2 - Issue 2 - 2002

Volume 2 - Issue 1 - 2001

Volume 1 - Issue 2 - 2001

Volume 1 - Issue 1 - 2000