Volume 14 -

- 2015

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Editorial

Editorial

Editorial Team
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01 Jan 2015

14

Papers

Body-movement-interaction: Perception and consciousness in interactive digital 3-dimensional audio-visual installations

Ken Byers
- PDF (EN)
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01 Jan 2015

14
Moving or Morphing Target? Hypermedial Hybrids, Diller+Scofidio-Style

Christophe Collard
- PDF (EN)
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01 Jan 2015

14
Green: Exploring the aestheticized use of chroma-key techniques and technologies in two intermedial productions

Matt Delbridge, Lee McGowan
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01 Jan 2015

14
Beyond Narrative: Sound design as dramaturgy in contemporary performance

Rea Dennis, Magda Miranda
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01 Jan 2015

14
Ominous: Playfulness and emergence in a performance for biophysical music

Marco Donnarumma
- PDF (EN)
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01 Jan 2015

14
Structuring online learning collectivities

Olga Ioannou
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01 Jan 2015

14
Studio for Electronic Theatre – Jumping into the Abyss of Technology

Fahrudhin Nuno Salihbegovic
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01 Jan 2015

14
Matter Mattering: ‘Intra-activity’ in live media performance

Jo Scott
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01 Jan 2015

14
A Tale of Two Cities: Investigating the process of set design in community theatre in South Africa and Zimbabwe using Intuba Arts Development (Durban) and Bambelela Arts Ensemble (Bulawayo) as case studies

Nkululeko Sibanda
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01 Jan 2015

14
Perceiving the Interactive Body in Dance: Enhancing kinesthetic empathy through art objects

Michael Smith, Jenny Roche
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01 Jan 2015

14
‘Bangers to Cancer’: Social media, charity fundraising and objectification

Emily Underwood-Lee
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01 Jan 2015

14
Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices

Jillian Wallis
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01 Jan 2015

14

Perspectives

Long Form Improvisation, Feedback Loops and Cybernetics

Glenn Noble, Daren Pickles
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01 Jan 2015

14

Reviews

Me and My Shadow (2012)

Kelly Preece
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01 Jan 2015

14

Volume 14 -

- 2015

Editorial

Editorial

Papers

Body-movement-interaction: Perception and consciousness in interactive digital 3-dimensional audio-visual installations

Moving or Morphing Target? Hypermedial Hybrids, Diller+Scofidio-Style

Green: Exploring the aestheticized use of chroma-key techniques and technologies in two intermedial productions

Beyond Narrative: Sound design as dramaturgy in contemporary performance

Ominous: Playfulness and emergence in a performance for biophysical music

Structuring online learning collectivities

Studio for Electronic Theatre – Jumping into the Abyss of Technology

Matter Mattering: ‘Intra-activity’ in live media performance

A Tale of Two Cities: Investigating the process of set design in community theatre in South Africa and Zimbabwe using Intuba Arts Development (Durban) and Bambelela Arts Ensemble (Bulawayo) as case studies

Perceiving the Interactive Body in Dance: Enhancing kinesthetic empathy through art objects

‘Bangers to Cancer’: Social media, charity fundraising and objectification

Naïve comedy in a dangerous virtual world: Expanding theatrical presence with online devices

Perspectives

Long Form Improvisation, Feedback Loops and Cybernetics

Reviews

Me and My Shadow (2012)

Issue Archive

Volume 17 - 2018

Volume 16 - 2017

Volume 15 - 2016

Volume 14 - 2015

Volume 13 - 2014

Volume 12 - 2013

Volume 11 - 2012

Volume 10 - Issue 2 - 2011

Volume 10 - Issue 1 - 2011

Volume 9 - Issue 2 - 2010

Volume 9 - Issue 1 - 2010

Volume 8 - Issue 1 - 2009

Volume 7 - Issue 2 - 2008

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Volume 6 - Issue 2 - 2007

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Volume 4 - Issue 1 - 2004

Volume 3 - Issue 2 - 2003

Volume 3 - Issue 1 - 2002

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Volume 2 - Issue 1 - 2001

Volume 1 - Issue 2 - 2001

Volume 1 - Issue 1 - 2000