Volume 19 -

- 2020

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Research

A Santa with a Butt Plug: Paul McCarthy and the Obliterating Violence of Positivity

Natasha Lushetich
- PDF (EN)
- XML (EN)
19 Feb 2020

19:203–223
Subjugating Other Cultural Narratives in the Construction of Immersive Environments

Olu Taiwo
- PDF (EN)
- XML (EN)
19 Feb 2020

19:193–202
Screened Live: Technologically Reconfiguring Notions of the Author

Bernadette Cochrane
- PDF (EN)
- XML (EN)
19 Feb 2020

19:174–192
Performance without Actors: The Theatrical Docu-Fiction

Ester Fuoco
- PDF (EN)
- XML (EN)
19 Feb 2020

19:109–124
Guidebook for Mirror Worlds. Poetics of Transparency in Augmented Reality

Federico Biggio
- PDF (EN)
- XML (EN)
19 Feb 2020

19:97–108
Playing the Zombie: Participation and Interpassivity in Gothic XR

Sarah O’Brien
- PDF (EN)
- XML (EN)
19 Feb 2020

19:76–96
Per-forming the Sense of Touch: A Spatio-Temporal Embodied Technology of Resistance

Maud Lannen
- PDF (EN)
- XML (EN)
19 Feb 2020

19:22–55

Reviews

Interesting Times? Venice Biennale and Berlin Art Week 2019

Neil Harvey
- PDF (EN)
- XML (EN)
19 Feb 2020

19:239–254
6th International Conference on Motion and Computing

Kelly Rae Bowker
- PDF (EN)
- XML (EN)
19 Feb 2020

19:17–21

Papers

‘The Biscuit Town’: Digital Practice, Spatiality and Discoverability in Reading’s Heritage Sector

Teresa Murjas
- PDF (EN)
- XML (EN)
19 Feb 2020

19:153–173
The Encounter with the Real: What Can Complicite’s Theatre Performance The Encounter Teach Us about the Future of VR Narratives?

Fahrudin Salihbegovic
- PDF (EN)
- XML (EN)
19 Feb 2020

19:125–152
Choreography of Sonic Chopsticks and Intervention of Digital Technology with Dancing Bodies

Zhi Xu
- PDF (EN)
- XML (EN)
19 Feb 2020

19:56–75
Theatre Heterotopias: Sea on Stage

Natalie Katsou
- PDF (EN)
- XML (EN)
19 Feb 2020

19:1–16

Perspectives

Playing with Virtual Realities: Navigating Immersion within Diverse Environments (Artist-Led Perspective)

Einav Katan-Schmid
- PDF (EN)
- XML (EN)
19 Feb 2020

19:224–238

Volume 19 -

- 2020

Research

A Santa with a Butt Plug: Paul McCarthy and the Obliterating Violence of Positivity

Subjugating Other Cultural Narratives in the Construction of Immersive Environments

Screened Live: Technologically Reconfiguring Notions of the Author

Performance without Actors: The Theatrical Docu-Fiction

Guidebook for Mirror Worlds. Poetics of Transparency in Augmented Reality

Playing the Zombie: Participation and Interpassivity in Gothic XR

Per-forming the Sense of Touch: A Spatio-Temporal Embodied Technology of Resistance

Reviews

Interesting Times? Venice Biennale and Berlin Art Week 2019

6th International Conference on Motion and Computing

Papers

‘The Biscuit Town’: Digital Practice, Spatiality and Discoverability in Reading’s Heritage Sector

The Encounter with the Real: What Can Complicite’s Theatre Performance The Encounter Teach Us about the Future of VR Narratives?

Choreography of Sonic Chopsticks and Intervention of Digital Technology with Dancing Bodies

Theatre Heterotopias: Sea on Stage

Perspectives

Playing with Virtual Realities: Navigating Immersion within Diverse Environments (Artist-Led Perspective)

Issue Archive

Volume 20 - 2021

Volume 19 - 2020

Volume 18 - 2019

Volume 17 - 2018

Volume 16 - 2017

Volume 15 - 2016

Volume 14 - 2015

Volume 13 - 2014

Volume 12 - 2013

Volume 11 - 2012

Volume 10 - Issue 2 - 2011

Volume 10 - Issue 1 - 2011

Volume 9 - Issue 2 - 2010

Volume 9 - Issue 1 - 2010

Volume 8 - Issue 1 - 2009

Volume 7 - Issue 2 - 2008

Volume 7 - Issue 1 - 2007

Volume 6 - Issue 2 - 2007

Volume 6 - Issue 1 - 2006

Volume 5 - Issue 1 - 2005

Volume 4 - Issue 1 - 2004

Volume 3 - Issue 2 - 2003

Volume 3 - Issue 1 - 2002

Volume 2 - Issue 2 - 2002

Volume 2 - Issue 1 - 2001

Volume 1 - Issue 2 - 2001

Volume 1 - Issue 1 - 2000