Volume 1 -

Issue 1 - 2000

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Editorial

Editorial

Editorial Team
- HTML (EN)
01 Jul 2000

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Papers

Transformations within the Gap: Liminality and Principles of Vedic Language Theory in Performance

Anna Bonshek
- HTML (EN)
01 Jul 2000

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Liminal Aesthetics

Sue Broadhurst
- HTML (EN)
01 Jul 2000

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Performance as revolutionary activity: liminality and social change

Dan Friedman
- HTML (EN)
01 Jul 2000

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The Performer and the Machine: Some Aspects of Laurie Anderson's Stage Work

Silvija Jestrovic
- HTML (EN)
01 Jul 2000

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Addenda? Contemporary Cyborgs and the Mediation of Embodiment

Petra Kuppers
- HTML (EN)
01 Jul 2000

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‘Strobe Light Consciousness and Body Technology in the Theatre of Antonin Artaud.’

Milton Loayza
- HTML (EN)
01 Jul 2000

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Ecstasy: a Source of Intimacy or Applications of the Dionysiac Model for Grotowski’s Theatre

Anna Misopolinou
- HTML (EN)
01 Jul 2000

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Displacing ‘Humans’: Merce Cunningham’s Crowds

Dee Reynolds
- HTML (EN)
01 Jul 2000

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4D Design: Applied Performance in the Experience Economy?

Alec Robertson, James Woudhuysen
- HTML (EN)
01 Jul 2000

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Into the Blazing Light: Liminality in Joe Orton’s What the Butler Saw

Chun-Yi Shih
- HTML (EN)
01 Jul 2000

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Liminal Spaces within a Contemporary Australian Art's Practice Abstract Stagings of Fleeting Narratives: Alluding to Memory

Zofia Sleziak
- HTML (EN)
01 Jun 2000

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Subliminal Voices from Nowhere

Peter Stafford
- HTML (EN)
01 Jul 2000

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What do we see in theatre?

Mischa Twitchin
- HTML (EN)
01 Jul 2000

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The Informe Body

Tracey Warr
- HTML (EN)
01 Jul 2000

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